Type Radio

Free extended MP3 mixes
By SUSANNA BOLLE  |  July 30, 2007
insideDOWNLOAD_FORBARRYRAY_
For Barry Ray

The UK label Type Records specializes in avant-garde music with a soft, lyrical touch. Founded by musician John Xela (a/k/a Xela) and graphic designer Stefan Lewandowsky (a/k/a Aeioux), Type releases atmospheric experimental music with roots in rock, modern classical, jazz, and free improv. In a section on its Web site called Type Radio, the label posts extended MP3 mixes by Type artists. Here's a selection of some of the finest recent additions available at www.typerecords.com.

Aeioux, “In the Back of the Real”
This is the sixth in an ongoing series of æthereal mixes by label head Lewandowsky. The title refers to an Allen Ginsberg spoken-word sample that pops up midway through the mix, and there are plenty of odd vocal snippets from Smithsonian Folkways recordings scattered throughout. A cinematic DJ mix, “In the Back of the Real” features lush, grainy music by Tim Hecker and Stars of the Lid, as well as some lovely forthcoming tracks from Type artists Machinefabriek, Peter Broderick, and Boston’s own Helios.

For Barry Ray, “A Little Tweaking”
For Barry Ray is the husband-and-wife duo of John Chantler and Carina Thoren. On “A Little Tweaking,” the two create an esoteric mix based on their far-reaching musical interests and influences, which run the gamut from free jazz and classic drones to acoustic folk and psych.

Keith Kenniff, “Jazz, or something like it”
Boston musician Keith Kenniff (a/k/a Helios and a/k/a Goldmund) delivers the second in a pair of “influences” mixes for Type. On his first, he shared some of his classical favorites, which tended toward the contemplative and pastoral, with selections by Morton Feldman, George Crumb, and Gabriel Fauré. Here Kenniff focuses on contemporary jazz and jazz-inspired material, and it is a similarly mellow, if sometimes over-tasteful, affair featuring music by the Claudia Quintet, Ben Monder, and the Adam Rogers Quintet.

Xela, “Type Radioshow Episode 004”
On this extended radio-style program, Type founder John Xela throws a dash of grit into the works, serving up bracing noise from Wolf Eyes, Keiji Haino, and Boston analog synth virtuoso Can’t (a/k/a Jessica Rylan). But all is not harshness and gloom — Xela also plays some wonderful early Greek experimental electronic music, some eccentric new songs from Finland, and the evocative folk of Providence singer-songwriter Larkin Grimm.

Related: Static movements, High techno, Static circuitry, More more >
  Topics: Download , Entertainment, Music, Jazz and Blues,  More more >
| More


Most Popular
ARTICLES BY SUSANNA BOLLE
Share this entry with Delicious
  •   ASSAULT AND BATTERIES  |  February 20, 2009
    After a brief stint in Pittsburgh, guitarist and electronic musician GEOFF MULLEN is back in his native Rhode Island, and the New England music scene is so much the better for it.
  •   SO MUCH IN STORE  |  February 10, 2009
    Australia's the NECKS are the sort of band who thwart classification.
  •   A COMPROVISATIONAL WHAT?  |  February 02, 2009
    Local saxophonist and electronic-musician JORRIT DIJKSTRA combines a variety of styles ranging from jazz to electro-acoustic improv and noise to create his own emotive and often idiosyncratic music.
  •   WINTRY MIX  |  January 26, 2009
    There are so many interesting and unusual musical happenings this week, it's almost more than this little column can bear.
  •   RARE FREQUENCIES: CALLITHUMPIAN CONSORT, THURSTON MOORE AND BILL NACE  |  January 20, 2009
    Although composer JOHN CAGE is best known for 4'33" of silence, he could raise a ruckus when the mood struck.

 See all articles by: SUSANNA BOLLE