Balam Acab | Wander/Wonder

Tri Angle (2011)
By ANDREW GRAHAM  |  September 27, 2011
3.0 3.0 Stars

balam-m

"Witch house" isn't the best tag for an act to get saddled with straight out of the gate, and when Balam Acab's first EP, See Birds, dropped about a year ago, that term had less of its current flash-in-the-pan feel. Fortunately, it seems the music press and Alec Koone (d/b/a Balam Acab) have both outgrown the flavor of those heady months, when Salem was on everyone's lips and DJ Screw's name was being thrown around the blogosphere so liberally that one might've thought he was from Williamsburg. Wander/Wonder starts slowly; the chipmunk soul of its second song returns to intermingle with a muddily stretched vocal in "Motion," its third track and the album's first firm footstep. A recurring use of water sounds (splashing, rippling, flowing) recalls the recent debut album by Clams Casino (another Tri Angle labelmate doing good work under a similarly godawful name). Where See Birds incorporated such overt witch-house tropes as 808-style snares, its layers of depth and nuanced structure also served to stake out turf somewhere between that nascent genre and more nebulous, formless "ambient" offerings. (Is the difference between "new age" and "trip-hop" simply the presence of a sampled beat?) Wander/Wonder requires less spadework; Balam Acab have crafted a fully fleshed-out record, with enticing dimension and its own subtle meanings.
Related: Blank Dogs | Collected By Itself 2006-2009, Ming Ming | Ultrameta OK, Bjork | Biophilia, More more >
  Topics: CD Reviews , Music, CD reviews, experimental,  More more >
| More


Most Popular
ARTICLES BY ANDREW GRAHAM
Share this entry with Delicious
  •   NEIL YOUNG INSPIRES A CHILL NEW WAVE  |  November 08, 2012
    Over six decades, Neil Young's musical expression has expanded beyond the rock and roll of his nascent years and the folk-rock that brought him his initial burst of renown.
  •   HOW TO DRESS WELL | TOTAL LOSS  |  September 12, 2012
    To the casual ear, there might not be a dramatic difference between Tom Krell's debut album (2010's Love Remains) and Total Loss, his potent new collection of ethereal hymns.
  •   FRANK OCEAN | CHANNEL ORANGE  |  July 24, 2012
    Since the ’80s, when R&B began to lean more heavily on the candid bling-and-booty-centric tropes championed by its plain-speaking hip-hop cousins, the music’s subtlety, nuance, and imagination have faded.
  •   CHROMATICS | KILL FOR LOVE  |  April 24, 2012
    Chromatics fans have become very familiar with the sensation of anticipation, almost to the point of numbness.
  •   CUBIC ZIRCONIA | FOLLOW YOUR HEART  |  October 25, 2011
    Tiombe Lockhart has been hustling her hot vocal talents for an indie-neo-soul minute now, dropping arresting guest spots with PPP, Waajeed, and Kingdom.

 See all articles by: ANDREW GRAHAM