Rush Hour 3Increasingly silly skits August 15,
2007 12:15:36 PM
VIDEO: Watch the trailer for Rush Hour 3.
|
With its muddled story line and slick Paris locations, the third installment of Brett Ratner’s hugely successful franchise offers little more than a chance to see detectives Carter and Lee in increasingly silly skits and action set pieces. Chris Tucker and Jackie Chan rely less on East/West stereotypes this time (they can make fun of the French instead), but they seem wooden throughout — even those famous outtakes that play during the credits appear labored. Although the whole thing resembles a hastily packed suitcase, bulging with hammy musical numbers and ridiculous cameos (Roman Polanski? Max von Sydow?), it manages (like its predecessors) to deliver its payload of guiltless, moo shu pleasure by the time Edwin Starr’s “War” starts up at the end. Especially good is a greasy French cabbie (Yvan Attal) who lambastes America’s fortunes in war and Olympic basketball while secretly longing to be a gun-brandishing TV cop.
|
|
|
- How Stepford politics rule Beacon Hill
- Some Things at Trinity
- Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- Boston TV kills A&E coverage
- In honor of National Boss Day, thePhoenix.com presents the ultimate kingpins
- If you want to lose the ‘fright wig,’ try ditching your shampoo
- How Stepford politics rule Beacon Hill
- What is driving the widespread movement pressuring Hillary to drop out, even though she is very much still in the race?
- Our correspondent takes a walk on the Wildlife-Removal side.
- Courage vs. abuse
- You thought maggot therapy was bad?
- Reverend Wright tarnished Obama’s image as America’s anointed savior
|
-
Repackaged stereotypes
-
Hard to knock it
-
Simplified Runner not up to speed
-
Incompetent Jessica Alba
-
An uncalled-for sequel
-
The pratfalls of yuppiedum
|
- A copycat cop movie
- Vegetation and gore
- As expected, smart supporting characters
- Audrey Tautou goes slumming in Hors de prix
- Ubiquitous Abigail Breslin in a mildly diverting adventure
- A plucky play that takes its eyes off the ball
- Exploring the modern female life
- An astonishingly unpredictable ending
- A plot centered around one man's penis
- Poetic Americana
|
|
|
|