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Anton Chekhov

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Review: ASP's The Duchess of Malfi, Nora's The Cherry Orchard

Dying breeds
T.S. Eliot famously opined that John Webster saw "the skull beneath the skin."
By CAROLYN CLAY  |  January 13, 2009
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Touched by grace

Andre Dubus’s unending gifts
This, around November, when New England’s bones start to show — and I realized my heart was beating faster. The story had quickened my pulse.
By NINA MACLAUGHLIN  |  October 01, 2007
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The mind’s eye

Trinity gets dramatic on WRNI
Several Trinity Repertory Company actors sit before microphones in a WRNI studio.
By BILL RODRIGUEZ  |  April 03, 2007
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Why blame Chekhov?

Eifman’s Seagull, plus [bjm_danse] and Susan Marshall
The Eifman Ballet of St. Petersburg have been scavenging Russian literature for 30 years now in search of suitably theatrical subjects.
By MARCIA B. SIEGEL  |  April 02, 2007
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Bird brain

Boris Eifman’s The Seagull
The plays of Anton Chekhov don’t take well to dance.
By JEFFREY GANTZ  |  March 29, 2007
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Terpsichore’s delight

The joys of spring dance
Traveling troupes and local dancemakers spring up around the Boston area this season.
By DEBRA CASH  |  March 13, 2007
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Home fires

The Cherry Orchard; Brontë; Sailing Down the Amazon and Haiku
There’s not a samovar in sight, and American playwright Richard Nelson has sharpened and pared down the script.
By CAROLYN CLAY  |  January 17, 2007
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Rethinking Chekhov

The Huntington steps into The Cherry Orchard
Conventional wisdom and introductory drama classes describe Anton Chekhov’s final masterpiece, The Cherry Orchard , as a prescient statement about his country’s future, written in 1903 as the playwright was dying.
By IRIS FANGER  |  December 28, 2006
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A winter’s tale

The season ahead on area stages
Even as the family drama of your holiday comes to a close, there’s no need to don a kerchief and settle in for a long winter’s nap.
By LIZA WEISSTUCH  |  December 28, 2006
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Full bloom

Trinity’s extraordinary Cherry Orchard
Anton Chekhov’s Cherry Orchard is about change, and so too is this debut production by Trinity Repertory Company’s new artistic director, Curt Columbus.
By BILL RODRIGUEZ  |  September 26, 2006
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Hello, Columbus

Trinity’s new artistic director bows with Chekhov
Last year was quite the highpoint for Curt Columbus.
By BILL RODRIGUEZ  |  September 12, 2006

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