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Trouble at the Newport Film Festival

High Drama
For more than a decade, the Newport International Film Festival has been a highlight on the state's cultural calendar.
By DAVID SCHARFENBERG  |  September 23, 2009
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True romance

Jane Campion directs the best movie ever made about John Keats.
Bright Star  is the best movie ever made about John Keats, the great Romantic poet who died at the age of 25. According to the Internet Movie Database, however, it is also the only one.
By PETER KEOUGH  |  September 23, 2009
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Review: Paris

What's the French word for Crash ?
Cédric Klapisch's serendipitous interweaving of the lives of disparate characters in the title city never resorts to the contrivance and manipulation of Paul Haggis's Oscar winner, but there are some close calls.
By PETER KEOUGH  |  September 23, 2009
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Interview: Ken Burns

On his latest PBS documentary, The National Parks
After watching The National Parks: America's Best Idea , it would be easy to conclude that it all could have been said a lot faster. Ken Burns disagrees — but he's not just being defensive.
By CLIF GARBODEN  |  September 25, 2009
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Review: Five Minutes of Heaven

Or, rather, 90 minutes of tension
It's easy to see what attracted Liam Neeson and James Nesbitt ( Bloody Sunday ) to Prime Suspect veteran Guy Hibbert's screenplay: it's an actor's showcase.
By BRETT MICHEL  |  September 23, 2009
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Take the fifth

The Camden International Film Festival hits a half-decade, with momentum building
Among the issues you'll see tackled at the Camden International Film Festival this year are poverty, overfishing, peak oil, and the plight (and/or) ambition of children who grow up too quickly.
By CHRISTOPHER GRAY  |  September 23, 2009
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Review: Disgrace

Jacobs's adaptation of Coetzee's novel plenty disturbing
Australian filmmaker Steve Jacobs's adaptation of South African writer J.M. Coetzee's 1999 novel doesn't add much clarity to the debate on race in America, but it's plenty disturbing.
By PETER KEOUGH  |  September 23, 2009
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Politics on the ground

AJ Schnack opens the Camden International Film Festival with Convention
Convention , the opening-night feature at the fifth annual Camden International Film Festival, is a logistical triumph that chronicles a logistical triumph. AJ Schnack, the director of the Kurt Cobain documentary About a Son, organized a group of nine filmmakers to capture the breadth of the August 2008 Democratic National Convention in Denver, Colorado.
By CHRISTOPHER GRAY  |  September 23, 2009
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Interview: Robert Siegel

 On the shoulders of Giants fans
As Robert Siegel explores the idea of what happens when reality curb-stomps overblown expectation, it's hard not to feel a visceral twinge of empathy.  
By SHAULA CLARK  |  September 25, 2009
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Review: Tyler Perry's I Can Do Bad All by Myself

Tyler Perry's latest is not so bad at all, really
Tyler Perry's latest crackles with electricity, thanks to heaps of boffo acting talent, high-octane musical interludes, and the most easy-to-root-for electrocution scene since Ernest Goes to Jail.
By SHAULA CLARK  |  September 16, 2009
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A Tale of Two Towns

Renowned for its roguish history, Charlestown is finally getting Hollywood's attention
Charlestown was baptized in bloodshed. Yet this unique, fertile turf has been generally overlooked by Hollywood, which has preferred instead its old rival South Boston, the primary backdrop for Oscar winners Good Will Hunting and The Departed .
By CHRIS FARAONE  |  September 16, 2009
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October lite

The outlook is still gloomy, but film finds time for childish things
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
By PETER KEOUGH  |  September 17, 2009
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Review: Sorority Row

Inadvertent murder leads to inadvertent camp
You can't fault young actresses (here including Rumer Willis, the daughter of Demi Moore and Bruce Willis, and Briana Evigan, who's nearly Moore's double) for jumping into a mindless movie like this one from Stewart Hendler.
By TOM MEEK  |  September 16, 2009
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Review: Jennifer's Body

Diablo Cody's exquisite corpse
You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out of its receiver.
By SHAULA CLARK  |  September 16, 2009
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Review: Bigger Than Life

Cult classic gets a special showing
A year after directing Rebel Without a Cause (1955), rebel filmmaker Nicholas Ray came back with Bigger Than Life (1956).
By GERALD PEARY  |  September 16, 2009
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Review: Tyler Perry's I Can Do Bad All by Myself

Tyler Perry's latest is not so bad at all, really
Tyler Perry's latest crackles with electricity, thanks to heaps of boffo acting talent, high-octane musical interludes, and the most easy-to-root-for electrocution scene since Ernest Goes to Jail.
By SHAULA CLARK  |  September 16, 2009
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Berlin calling

A ‘very Trinity’ take on Cabaret
If you ask someone whether they've seen Cabaret , odds are the answer will be yes. Ask Curt Columbus, and the answer is likely to be: Which one? Sitting in the upstairs theater of Trinity Repertory Company, where their production runs through October 11, the artistic director rattled off a chronology as lengthy as a convoluted German sentence.
By BILL RODRIGUEZ  |  September 15, 2009
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Review: Cloudy With a Chance of Meatballs

Animated fare will leave kids unsatisfied
This bizarre animated adaptation of Judi Barrett's cult-classic children's book by Phil Lord and Chris Miller ladles up much to chew on yet little that's appetizing.
By ALICIA POTTER  |  September 16, 2009

Face off

Doubt explores the quicksand of certainty
If you were an ordinary Catholic boy in parochial school, giving nuns as hard a time as you were getting, you probably ended up with the usual stories of ruler-rapped knuckles. If you grew up to be talented playwright John Patrick Shanley, you ended up writing Doubt: A Parable , a fascinating exploration of the quicksand of certainty.
By BILL RODRIGUEZ  |  September 15, 2009
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Review: Tyler Perry's I Can Do Bad All by Myself

Tyler Perry's latest is not so bad at all, really
Tyler Perry's latest crackles with electricity, thanks to heaps of boffo acting talent, high-octane musical interludes, and the most easy-to-root-for electrocution scene since Ernest Goes to Jail.
By SHAULA CLARK  |  September 16, 2009
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Review: Whiteout

CSI: Antarctica?
The title of this thriller from Dominic Sena ( Swordfish ) is supposed to describe a brutal Antarctic storm, but what's more likely to come to mind is the goop the film's phalanx of writers used to blot out boos-boos while revising the script.
By TOM MEEK  |  September 16, 2009
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Review: The Informant!

Soderbergh's state of cornfusion
The Informant! opens with a segment that sounds as if it had been culled from Food, Inc.
By PETER KEOUGH  |  September 16, 2009

$@&! the word police

Letters to the Boston editor, September 18, 2009
I like to think of myself as a progressive and far from a prude.
By BOSTON PHOENIX LETTERS  |  September 16, 2009
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Review: The Baader Meinhof Complex

Terrorism made simple in Uli Edel's Complex
Terrorism made simple in Uli Edel's Complex
By PETER KEOUGH  |  September 10, 2009
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Interview: Uli Edel

The Baader Meinhof Complex director talks about terror and glamour
Edel talks about terror and glamour
By MIKE MILIARD  |  September 11, 2009
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Review: Betty Blue, The Director's Cut

Well-remembered arthouse film gains an extra hour
"I had known Betty for a week," a voiceover intones. The voice is that of Zorg (Jean-Hugues Anglade), an unpublished novelist, whom we see fucking Betty (Béatrice Dalle in a star-making turn) in the slow zoom that serves as the opening shot of Jean-Jacques Beineix's well-remembered contribution to erotic cinema.
By BRETT MICHEL  |  September 09, 2009
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Review: All About Steve

They should have called it "There's Something Insane About Mary"
How is it that the absolute worst "chick flicks" of the summer were written by women?
By BRETT MICHEL  |  September 09, 2009
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The plots thicken

9/11 Truthers, Tea Parties, Birthers — conspiracy is in the air. No wonder Hollywood is embracing paranoia.
Eight years after the destruction of the World Trade Center — the result of one of the most devastatingly successful conspiracies in history — Americans still take comfort in paranoia.
By PETER KEOUGH  |  September 11, 2009
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Review: Flame and Citron

Scandanavian Nazi-assassin film gets a bit bogged down
The two Danish Resistance fighters of the title ( Flammen og Citronen in the Danish original) don't have nearly as much fun killing Nazis as do Quentin Tarantino's Basterds.
By PETER KEOUGH  |  September 02, 2009

Providence filmmakers go cruisin'

The Islands
Any artistic triumph involves a little luck. Providence native Ben Chace was in Brooklyn's Prospect Park two years ago when he watched a raffle ticket turn into a pair of tickets for a Jamaican cruise.
By ABIGAIL CROCKER  |  September 02, 2009

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