The acoustics of the room warmed the cold hard tone of the Yamaha, and Tomsic’s articulation — technical and musical — was more impressive than ever. The Third Ballade began almost casually, as if she were remembering an old story; then the story itself took over and leaped into life. Tomsic has a powerful and vivid sense of the music’s contrasts — both Chopin’s soulful and singing tenderness and his swirling whirlwinds of passion.
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Transfigured nights, Conquering heroes, A little history, More 
- Transfigured nights
James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
- Conquering heroes
One sign of Boston’s rich classical-music scene is that there are often hard choices to make when two outstanding events are scheduled at the same time.
- A little history
Two of Boston's most admired and honored composers (both Pulitzer winners) have just celebrated landmark birthdays: Yehudi Wyner his 80th and John Harbison his 70th.
- Classical giants
Audiences love the Beethoven Seventh. And this audience went bananas. But I didn’t.
- Marketplace and temple
At times, this ‘American’ program, led by the BSO’s first American music director, bordered on being a Pops concert.
- Magic bullets
Last week’s Boston Symphony Orchestra program looked odd on paper, but the concert was a knockout.
- Opera, opera, opera
Every performance at Santa Fe was packed, and few subscribers left unhappy.
- From Knoxville to Swan Lake and back
As our most prestigious classical-music institution, the Boston Symphony Orchestra ought to be every year’s headliner, and once again, under the adventuresome direction of James Levine, it is.
- Variety show
James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
- Granduer and intimacy
One of the most delightful moments in Mozart comes at the very end of his Symphony No. 39 in E-flat, the first of his last trio of great symphonies.
- Don ho!
In 1665, when it made a brief appearance before being suppressed for a couple of hundred years, Molière’s Don Juan was a “machine play.”
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Music Features
, Entertainment, Music, Mariusz Kwiecien, More
, Entertainment, Music, Mariusz Kwiecien, Wolfgang Amadeus Mozart, Classical Music, Opera, James Levine, Music Festivals, Matthew Polenzani, John Oliver, Less
