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Music Features
What's F'n Next? Metz
Toronto, Canada
The joke's on you if you still think Canada is just our laid-back, friendly neighbor up north. Futher proof to the contrary: Toronto's METZ, who would lead you to believe that Canada is one big furious mosh pit.
By:
PERRY EATON
| November 14, 2012
Ash names the alphabet
Do you remember the time I knew a girl from Mars? Probably not, since that Ash hit was from eons ago. But Ash frontman Tim Wheeler does remember, checking in via phone from London.
By:
MICHAEL CHRISTOPHER
| November 16, 2012
Kreayshawn battles back
Kreayshawn is a prime example of the type of supernova pop-star cycle that we can expect in the Internet era; not only because of her meteoric rise and almost-as-powerful backlash, but in the way that fame gives her fans and detractors alike such personal access.
By:
DANIEL BROCKMAN
| November 14, 2012
The orchestrated pleasure of Eddie Japan
Cellars by starlight
Sitting with Eddie Japan frontman David Santos, there is suspicion he might be a spy. He's well-dressed, to suit any occasion that might arise, and he refuses a drink.
By:
JONATHAN DONALDSON
| November 14, 2012
Kvelertak put rock in a chokehold
Kvelertak's missives come packaged in dark roiling paeans to Norse gods and demonic urges, filled with screamed yearnings and frantic warnings.
By:
DANIEL BROCKMAN
| November 08, 2012
Dan Deacon is coming to America
In 2007, Dan Deacon experienced startling cultural self-awareness.
By:
REYAN ALI
| November 08, 2012
Cellars by Starlight: Human Sexual Response
CDs might now be an outdated medium, but there was a time when everything on the format was available — except for one of the great rock records of the early '80s: 1981's In a Roman Mood by legendary Boston punk/new wave/whatever band Human Sexual Response.
By:
JONATHAN DONALDSON
| November 08, 2012
What's F'N Next: Naomi Punk (Olympia, Washington)
In the Pacific Northwest, Naomi Punk started playing in various underground projects as teenagers about 10 years ago, self-releasing online EPs and CD-Rs to the locals, unconcerned with ever being part of the greater "music world."
By:
LIZ PELLY
| November 08, 2012
Earning interest in MillionYoung
It could be said that Mike Diaz, a/k/a MillionYoung, is living through the adolescence of his musical career.
By:
DANIEL BROCKMAN
| November 01, 2012
Globetrotting with Seth Troxler
The last time Seth Troxler played Boston it was to a room of about 50 people. That changes this week when he plays Sónar.
By:
MICHAEL C. WALSH
| November 01, 2012
Pretty & Nice, same as they ever were
Cellars by Starlight
It has been four years since Pretty & Nice released their standout full-length, Get Young , but they are quick to reassure us that their motives have changed little.
By:
PERRY EATON
| November 01, 2012
What's F'n Next: Squarehead (Dublin, Ireland)
On a sunny autumn afternoon on a side street in Brooklyn, I sit outside on a rickety black staircase with Squarehead, chatting about their week.
By:
LIZ PELLY
| November 01, 2012
Neil Young inspires a chill new wave
Over six decades, Neil Young's musical expression has expanded beyond the rock and roll of his nascent years and the folk-rock that brought him his initial burst of renown.
By:
ANDREW GRAHAM
| November 08, 2012
Saint Etienne's love letter
No more than two seconds into Saint Etienne's latest album (their first in seven years), Words And Music (Heavenly/Universal UMC), angelic-voiced Sarah Cracknell opens "Over the Border" with a spoken-word confession over a soft acoustic guitar: "When I was 10, I wanted to explore the world."
By:
MICHAEL MAROTTA
| October 24, 2012
To the Bathaus
Say what you will about witch house.
By:
NINA MASHUROVA
| October 25, 2012
Mount Kimbie’s wallflower power
Sometimes making a statement from a corner of a room feels truer than making one from its center. Kai Campos — one-half of the London duo Mount Kimbie — believes that reasoning was crucial to his desire to make electronica in the first place.
By:
REYAN ALI
| October 24, 2012
What's F'n Next? Father John Misty
Josh Tillman — a/k/a Tillman, a/k/a Father John Misty — is one hell of a dancer.
By:
HILARY HUGHES
| October 24, 2012
Haunted by sound, Pile is rising
The five-year-old quartet Pile, among the brightest of Boston's bursting subterrane, makes waltz-time, feel-bad guitar music that is gothic in the non-eyeliner sense: angular songs express the sort of specific, primal anxieties that litter a liberal-arts undergrad's coursework.
By:
JAY BREITLING
| October 30, 2012
What's F'n Next? Swearin'
Allison Crutchfield grew up in the punk-rock world of DIY. And with her newest band, Swearin', she's released one of the best records of the year.
By:
LIZ PELLY
| October 18, 2012
Diplo dishes a Major Lazer
After years of putting his sonic touches on other people's tunes, Diplo is hoping to finally step out into the light on his own.
By:
DANIEL BROCKMAN
| October 19, 2012
The Presets' morning-after party
For the Sydney-based Presets' third album, Pacifica , the attitude shifts from night to day, because after every party comes a new morning.
By:
MICHAEL MAROTTA
| October 18, 2012
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Talking Politics
| March 24, 2013 at 11:09 AM
Mo Takes His Turn
March 21, 2013 at 12:59 PM
[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download
| March 18, 2013 at 3:22 PM
See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame
| March 18, 2013 at 11:00 AM
See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM
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