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Nominate-best-2010

Review: We Live in Public

Call it Woodstock crossed with Salò and The Real World
By PETER KEOUGH  |  September 2, 2009
3.0 3.0 Stars

Josh Harris might not have contributed as much to the Internet as Al Gore, but as Ondi Timoner's lively and chilling documentary reveals, he did embody its excesses of narcissism and puerility and its delusions of grandeur. Harris made a fortune during the dot.com bubble with his television Web site Pseudo.com. 

Fancying himself the "Warhol of the Web," he invested that money in a performance-art/sociological experiment in which 100 people lived in a communal bunker with ubiquitous cameras and monitors, no privacy, an arsenal of weapons, and mass psychosis — call it Woodstock crossed with Salò and The Real World. Bored with that, he started a 24-hour video feed in which he and his wife argue and go to the bathroom.

\The virtual world of the future? At least it would be more interesting than Facebook.

Related: Review: Mine, Review: The Lost Son of Havana, Review: Invisible Girlfriend, More more >
  Topics: Reviews , Al Gore, somerville Theatre, We Live in Public,  More more >
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ARTICLES BY PETER KEOUGH
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    A new genre is emerging in which aging A-list actors play fathers off on a rampage to rescue their daughters or avenge their deaths.
  •   REVIEW: FROZEN  |  February 03, 2010
    A storm is coming, the girl has to pee, and then things get much worse.
  •   KAREN SCHMEER: 1970-2010  |  February 02, 2010
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    Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
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    Much scarier than 2012 is this documentary about the death grip that fundamentalist religious groups have on American politics.

 See all articles by: PETER KEOUGH

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