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The dead end of DIY publishing

Self-published novelists – the Rodney Dangerfields of the book world — are finally getting some respect. But are they better off?
It all started with Still Alice .
By: EUGENIA WILLIAMSON  |  July 03, 2012

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The self-published come to BEA

On writers row
Kenneth Brown stood in a remote corner of Manhattan's Javits Center floor.
By: EUGENIA WILLIAMSON  |  July 03, 2012

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John Brandon adapts to his surroundings

Homegrown
A Million Heavens (McSweeney's), John Brandon's surreal and humane third novel, follows a group of misfit searchers in a New Mexico desert town.
By: EUGENIA WILLIAMSON  |  July 02, 2012

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Interview: Sapphire speaks her mind

Still Pushing
If there's one thing that novelist Sapphire is not, it's wishy-washy.
By: ALEXANDRA CAVALLO  |  June 27, 2012

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David Goodis’s solitary walk

The dark end of the street
Because we live in a country that forever needs to be told to appreciate its native artists, Americans are in love with classification.
By: CHARLES TAYLOR  |  June 22, 2012

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Got something to say about your favorite album? 33 1/3 just might print it

Liner notes
David Barker does not know exactly how many proposals he has read since he started 331/3, the esteemed series of small, somewhat flimsy, uniformly sized books about records. He doesn't know how he wants to commemorate its 10-year anniversary next spring.
By: EUGENIA WILLIAMSON  |  June 21, 2012



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Interview: Christopher Hayes looks at an unfair America

Merit Testing
After a decade of national failure, the public's trust in our most essential institutions is at a record low.
By: JOHN J. KELLY  |  June 19, 2012

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We need to talk about Hans Rickheit

Peverse delight
I want to have sex with Hans Rickheit.
By: S.I. ROSENBAUM  |  June 15, 2012

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Interview: Gail Collins gets inside the Lone Star State

Talkin' Texas
Texas is a landfill of political insanity that's fast declining into a privatized wasteland for all but its wealthiest residents.
By: CHRIS FARAONE  |  June 05, 2012

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Finding out what makes the Meat Puppets tick with a new oral history

They Ain't Heavy, They're the Kirkwood Brothers
As half-assed a form as it can be, the rock-band oral history is a folk form nonetheless, with a great claim to authenticity.
By: JAMES PARKER  |  May 30, 2012

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Jonathan Lethem braves Talking Heads’ Fear of Music

Fear factor
In every single rock documentary on the BBC, there comes a certain moment.
By: EUGENIA WILLIAMSON  |  June 01, 2012



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They call me Oil Can

Baseball, drugs, and life on the edge
Dennis "Oil Can" Boyd, a Mississippi native who lives in East Providence with his wife and two children, is one of the most complex, controversial players ever to don a Red Sox uniform.

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Interview: Oil Can Boyd on playing the game

Baseball ‘takes away a lot of hurt’
This week, I had an hour long chat with Oil Can Boyd.
By: DAVID SCHARFENBERG  |  May 23, 2012

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Kate Bornstein’s queer evolution

Cult following
Feisty transgender icon Kate Bornstein's newest book, A Queer and Pleasant Danger (Beacon Press), is best summed up by its subtitle: The True Story of a Nice Jewish Boy Who Joins the Church of Scientology and Leaves Twelve Years Later to Become the Lovely Lady She Is Today.
By: THOMAS PAGE MCBEE  |  May 25, 2012

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Interview: Rory O’Connor digs social media

News trust
Rory O'Connor has been thinking about trust and the media for a long time.
By: DAN KENNEDY  |  May 14, 2012

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Hilary Mantel's power play

King's Man
Endings, perhaps more than beginnings, set the tone in historical fiction.
By: CLEA SIMON  |  May 11, 2012



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Getting to know Philip Larkin with a new edition of his poems

Philip is a punk rocker
"A smash of glass and a rumble of boots/Electric trains and a ripped-up phonebooth/Paint-spattered walls and the cry of a tomcat/Lights going out, and a kick in the balls." These lines are not by Philip Larkin, of course — they're by Paul Weller.
By: JAMES PARKER  |  April 26, 2012

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Eileen Myles crosses all borders

Askew at high velocity
"Gender is a technology," Eileen Myles says.
By: THOMAS PAGE MCBEE  |  April 25, 2012

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Joe Brainard’s collected works

Pleasure principle
The sui generis artist and writer Joe Brainard invented a literary form.
By: WILLIAM CORBETT  |  April 25, 2012

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Interview: Benjamin Busch remembers

War stories
Perhaps best known as Officer Anthony Colicchio on HBO's The Wire, as well as for roles in Homicide: Life on the Street, The West Wing, and the HBO film Generation Kill, actor and filmmaker Benjamin Busch, the son of esteemed novelist Frederick Busch, has also been a US Marine Corps officer who served two tours of duty in Iraq.
By: JOHN J. KELLY  |  April 13, 2012

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Bechdel looks at her mom, Abrams packages the Garbage Pail Kids, and Corman’s new graphic novel, Unterzakhn

Serious funnies
For years, I faithfully followed Alison Bechdel's comic strip Dykes To Watch Out For , an ongoing lesbian soap opera with a huge cast of characters, all of them vivid and realized.
By: S.I. ROSENBAUM  |  April 04, 2012


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