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Nominate-best-2010

Invisible playmates

By PETER KEOUGH  |  November 18, 2009

Which, needless to say, never happens. Fiction seems a losing game, a desperate ploy to delay or deny the end of the tale. Or maybe not. Walker recalls a scene in Carl Dreyer's Ordet in which a dead person rises again. It moves him to tears, and to reflect, on the one hand, "that was just a story, a make-believe story in a make-believe world, and this is not that world, and there will be no miraculous resurrections." And, on the other, "What cannot happen has happened, and you are stunned by what you have witnessed." Despite his assaults against it, Auster's faith in his art holds firm: you will know the fiction, and the fiction will set you free.

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  Topics: Books , Science and Technology, Technology, Samuel Beckett,  More more >
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ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: EDGE OF DARKNESS  |  February 05, 2010
    A new genre is emerging in which aging A-list actors play fathers off on a rampage to rescue their daughters or avenge their deaths.
  •   REVIEW: FROZEN  |  February 03, 2010
    A storm is coming, the girl has to pee, and then things get much worse.
  •   KAREN SCHMEER: 1970-2010  |  February 02, 2010
    Karen Schmeer, the brilliant local film editor whose work on Errol Morris's documentary The Fog of War helped win it the Best Documentary Oscar in 2004, died January 29 in a tragic accident, struck by a getaway car as she was crossing a street in Manhattan. She would have turned 40 on February 20.
  •   IS THERE 'HOPE' IN HOLLYWOOD?  |  January 29, 2010
    Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
  •   REVIEW: WAITING FOR ARMAGEDDON  |  January 27, 2010
    Much scarier than 2012 is this documentary about the death grip that fundamentalist religious groups have on American politics.

 See all articles by: PETER KEOUGH

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