Let's compromise

A Decade after 9/11

Letters

Keeping Boston Indie

Looking back to those days (not so long ago), I'm stunned by how organically the DIY scene has since bloomed into a legitimate renaissance. Not just in Boston — but all over the world — a whole generation of artists, musicians, and social architects have opened up their homes and sought opportunities to unite people in collective experiences. House shows are a cornerstone of life for so many people and bands. It's truly folk in its nature: "by the people for the people." It's not about financial gain, but rather cultural richness and shared experiences in a quest to manifest the Yes Wave.

This collective culture, with socio-political agenda or without, is a huge part of what makes a city's creative landscape vibrant and contemporary. While Boston has historically been a provincial city, recognized more for its medical, financial, and tech communities than its artistic offerings, DIY Fest was a testament to the fact that the city's young artists and organizers are on their game — and much more awesomeness is on the way. It was easily one of the most beautiful things I've ever seen happen here. All of these amazing kids came out of their basements, worked through the red tape to pull permits, and shared this phenomenon in broad daylight at Ringer Park. Hats off to the organizers and the participants for their tireless work in making Boston a better place to live.

Miguel de Braganza
Boston