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CD Reviews
Trife Diesel | Better Late Than Never
Trife da Label (2009)
By
CHRIS FARAONE
|
July 22, 2009
Trife Diesel | Better Late Than Never
" alt="photo of 'Trife Diesel | Better Late Than Never'">
3.0
Stars
For anyone who best understands things in white suburban terms, hip-hop is similar to lacrosse. Much like the way that any able-bodied preppy chump can grab a long stick and play defense, any third-rate street thug with convincing anger can rock microphones. That said, just as it takes tremendous jockitude to make a star midfielder, such extraordinary curb poets as Wu-Tang affiliate Trife Diesel (formerly Trife Da God) pack more than just standard ghetto diction.
Although
Better Late
is being touted as the diamond-throated Staten Island rapper's long-overdue debut, Trife has scored plenty of highlight goals with guest verses alongside extended teammates, and with
Put It on the Line
, his 2005 duo effort with Ghostface.
Better Late
is agile — with didacticism ("Stronger Man"), autobiographical potpourri ("Better Late Than Never"), and even some good old Duke lax misogyny ("What Did I Do Wrong?").
Still, there's a clear difference between legendary buzzer beaters, like the Ghostface-assisted "Live Nigga Night Out," and shots that miss the net, like "Listen Carefully." Trife has an
Ironman
looming in his future, and given how long he's ridden the bench (besides which, he's far too strong an MC to suffer a sophomore slump), his hat trick might very well come next time he steps into the crease.
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Mathematics | Return Of The Wu & Friends
As chairman, muse, and beatmaker for the Wu-Tang Clan, RZA casts a shadow big enough to shade all but a few marquee members of his extended family.
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Sleep | Hesitation Wounds
On the subterranean-rap-hustle manifesto "Get It," from his new Hesitation Wounds, Portland (Oregon) MC Sleep rhymes, "I'll murder a set. . . . I'm kind of a big deal, you just ain't heard of me yet."
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In quality, record sales, and image, hip-hop has taken a savage beating in the past half-decade.
Due Dilla-gence
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