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Beach Fossils | What A Pleasure
CD Reviews
Busta Rhymes | Back on My B.S.
Universal Motown (2009)
By
MIKAEL WOOD
|
June 2, 2009
Busta Rhymes | Back on My B.S.
" alt="photo of 'Busta Rhymes | Back on My B.S.'">
1.5
Stars
Increasingly surrounded by Soulja Boys and Lil Waynes, Busta Rhymes has of late taken on the look of hip-hop's Father Time. Dude's a quick study, though: now that the Internet has turned even name-brand stars into Hype Machine heatseekers, he knows that you've gotta lead with your hottest material.
So over the past few months he's leaked a series of excellent singles as a run-up to the release of
Back on My B.S.
, his long-awaited debut for Universal Motown following an ill-fated stint at Dr. Dre's Aftermath. The best of those leaks, a five-alarm firestarter called "Don't Touch Me (Throw da Water on 'Em)," even earned a place alongside such career-high hits as "Woo-hah!! Got You All in Check" and "Put Your Hands Where My Eyes Could See." Unfortunately, "Don't Touch Me" didn't make the cut here — a sure sign that Rhymes
(a)
has lost touch with what he's good at or
(b)
knows more about Web marketing than I do.
Some of those other pre-release tracks do appear, among them the inescapable "Arab Money," which has grown no less perplexing (or funky) with age. But
B.S.
includes far more filler than it needed to; "Kill Dem," a zero-flair Pharrell joint, doesn't even deserve its inevitable Rapidshare link.
Related
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,
P.O.S. | Never Better
,
Beef stakes
,
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Review: The Roots of Hip-Hop
Everybody wants to claim hip-hop.
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P.O.S. must have known he had a near-classic on his claws with Never Better .
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In quality, record sales, and image, hip-hop has taken a savage beating in the past half-decade.
Due Dilla-gence
Extraordinarily missed Detroit beat stylist J Dilla (a/k/a Jay Dee) was righteously benevolent.
Marco Polo and Torae | Double Barrel
Duck Down has reached beyond its Brooklyn-grounded rap roots in recent years, signing such acts as Kidz in the Hall and Boston's Special Teamz.
Coolzey | The Honey
Coolzey is not the next big thing. Or even the next medium thing.
Man at work
It's easy to manufacture illusions of rap stardom. Any MySpace whiteboy with a few grand can fill a mixtape with big cameos, and for a little more, guests will even shout his name out. But though such pay-for-spray practices have kept established artists eating they've also compromised the organic dynamics that once pushed the genre forward.
The Big Hurt: Billboard Top Hip-Hop and R and B songs
This week, a jolly traipse through one of Billboard 's most artistically fecund charts: "Top Hip-Hop and R&B Songs." What wonders await?
Fresh Vetz | Vet Status
It's a bright sign for hip-hop when at least three promising subterranean sluggers ride flows comparable to that of the almighty Nas.
Two great flavors
"When I said that I wanted to use 'What We Do' as a single," Freeway explains, "people said it couldn't happen because it didn't have a hook. You know how the rest of that one goes."
Lady killer
Since the only way to write about female rappers is to harp on gender, here's the catchy kick-paragraph buzznote that we're playing: Dessa has more in common with black Republicans than you might realize. Although she's proud to hail from Venus, the poetic Minnesota songstress has refused to let prejudice paralyze her rise in a male-weighted industry.
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Given the theory of de-evolution these Ohio brainiacs began expounding more than 30 years ago, it makes a sad kind of sense that Devo's first album since 1990's Smooth Noodle Maps offers such a charmless, base-level version of the band's synth-addled new wave.
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