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Beach Fossils | What A Pleasure
CD Reviews
Keelay & Zaire | Ridin' High
MM (2009)
By
CHRIS FARAONE
|
March 10, 2009
Keelay & Zaire | Ridin' High
" alt="photo of 'Keelay & Zaire | Ridin' High'">
3.0
Stars
We're living in the era of producer projects. The past few years have yielded contemporary compilation classics from new track stars like Marco Polo and Statik Selektah, as well as from dudes like Pete Rock and Premier, who decided long ago that in rap music — unlike any other genre — even dudes behind the scenes can get away with appearing on album covers.
With their 16-cut debut, Bay Area boardsman Keelay and his Dayton-born sidekick Zaire slide onto the exalted end of hip-hop's sound spectrum — their tracks bounce lovelier than Joe Budden's girlfriend on that trampoline (consult
YouTube
), and they exhibit a flair that distinguishes their cross-continental steeze from that of any other beat team.
Click the autobiographical Tunji ear smacker "Addicts for Real," then peel through the delightfully reclined "Trapped" with Slo Mo and Supastition, and the sonic circus "I Used To Ride" with Fortilive and Saafir. Singles aside, the most revealing thing about
Ridin' High
is that — except for Rasco, Tash, Blu, and Planet Asia — the guests are pretty much unknown. Result: the majority of these cameo contenders bless us with the verses these joints warrant.
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Beef stakes
In quality, record sales, and image, hip-hop has taken a savage beating in the past half-decade.
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An optimist would say that, despite some serious disappointments, last year’s Third Annual Boston Hip-Hop Unity Fest demonstrated just how peaceful the Bean rap scene really is.
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All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
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CD Reviews
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Entertainment
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Hip-Hop and Rap
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More
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ARTICLES BY CHRIS FARAONE
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J the S has been promising The Last Days since he went by Jake the Snake.
HE WILL NOT BE MOVED
| February 03, 2012
A few months ago, Boston hip-hop vet Marco Antonio Ennis stepped into a home studio in Dorchester to cut a verse for an old friend's teenage son.
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CHRIS FARAONE
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