The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 

Feel the music

We may be the last generation to give tangible tunes for Christmas
By DANIEL BROCKMAN  |  December 11, 2008

081212_kanye_mian
Kanye West

With uncertainty, doubt, poverty, environmental devastation, looming scarcity, and event-level extinction staring us down in the distance, I personally find it comforting that the current number-one single in the country has a chorus that goes "I'll gas up the jet for you tonight, and baby we can go wherever you like." Why? Because as ridiculous as T.I.'s sentiment is, the role of our pop stars has never been to address serious issues: it's been to further our own ridiculous ambitions, to dream the impossible dream, to live our life as if there's no tomorrow, and ultimately, to give false hope to those that need it most.

And you know who needs false hope right now, among others? The major record labels, who are pulling out all the stops to release a plethora of new and re-issue albums in the hopes that they can pump some blood back into what is increasingly looking like a moribund anchor for their business model — the physical recorded musical album.

What does this mean for you, Joe or Jane Consumer, as you run to the shops to spend your ever-dwindling disposable income on frivolous rock and pop music? It means that you live in historic times: you get at least one more chance to ride on a dinosaur, to be the last generation, perhaps, to say "I got this incredibly rad box set for Christmas" or "I stood in line at midnight to pick up a copy of Chinese Democracy."

When you look at it that way, it's almost your duty — nay, destiny — to at least peruse this list of year-end musical offerings and appreciate it for the end-of-civilization fire sale it represents. Excelsior! Carpe diem! The future is yours!

Box sets and re-issues: The end of the end of music (with an extra bonus disc of demos and rarities)
When I was an adolescent, in the late '80s and early '90s, wading knee deep through box sets in my bedroom, casually using disc four of Eric Clapton's Crossroads as a drink coaster, I would sometimes think,"How did my parents ever survive without all of the classic-rock lexicon neatly bundled, archived and annotated, with outtakes and bonus tracks?" Twenty years later, it is sometimes surprising that there are still musical nooks and crannies left to be made into box sets. But this season, a plethora of crazy re-issues is hitting the shelves — and some of them are (gulp) collections of artists who emerged post-box-set-era themselves.

The Complete Motown #1's Box (Motown/Universal) Often, box sets add unnecessary supplements to well-known material, but the best ones pare down limitless musical material into a comprehensible canon. So it is with the Motown label's legendary discography. Universal off-shoot Hip-O Records is in the process of exhaustively issuing 12 box sets containing every single ever put out by the label, but there has to be some middle ground between that kind of obsessiveness and the Murphy Brown soundtrack, right? Well, here it is — and it's a statement to the insane success of Hitsville U.S.A. that even just limiting the scope of the box of number-one pop singles still leaves the listener with 191 tracks to wade through.

1  |  2  |  3  |  4  |   next >
Related: Deep tracks and minutiae for music lovers, rich and poor, Gil Scott-Heron | I’m New Here, Cotton Candy | Top Notch & First Rate, More more >
  Topics: Music Features , Celebrity News, Phil Collins, Peter Gabriel,  More more >
| More

[ 05/29 ]   Brad Hooper  @ Andy's Old Port Pub
[ 05/29 ]   karaoke with DJ Ponyfarm  @ Slainte
ARTICLES BY DANIEL BROCKMAN
Share this entry with Delicious
  •   RAZORMAZE ADDS FOCUS TO THEIR THRASH  |  May 15, 2012
    For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
  •   ZAMBRI | HOUSE OF BAASA  |  May 15, 2012
    For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
  •   CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE  |  May 08, 2012
    When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
  •   [R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS  |  May 08, 2012
    ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
  •   INTERVIEW: SIMON REYNOLDS TRIES TO LOOK FORWARD  |  April 24, 2012
    Quick, try to think of futuristic music that has nothing to do with the music of the past. Can't do it?

 See all articles by: DANIEL BROCKMAN



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group