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CD Reviews
Cotton Mather | Kontiki [Deluxe Edition]
Star Apple Kingdom
By
ZETH LUNDY
|
February 14, 2012
Cotton Mather | Kontiki [Deluxe Edition]
" alt="photo of 'Cotton Mather | Kontiki [Deluxe Edition]'">
4.0
Stars
When it was released in 1997, Cotton Mather's sophomore album racked up glowing critical huzzahs across the pond (not to mention big-ups from Oasis), yet dudded here in the States. But why?
Kontiki
should hold an equally hallowed place on the shelf of canonical '90s indie records with contemporaneous efforts by Neutral Milk Hotel and Guided By Voices. As vivid, challenging, and just plain hooky now as it was 15 years ago,
Kontiki
is a brilliant synthesis of Beatles-esque pop and lo-fi surreal experimentation, an even richer and more fully realized example of the GBV modus operandi. Singer/songwriter Robert Harrison, a Texan with a voice somewhere between John Lennon and John Linnell, stuck one shoulda-been smash hit ("My Before and After") in between other bouts of fractured classicism. "Homefront Cameo" and "She's Only Cool" are all Liverpudlian bended-knee bounce, "Church of Wilson" puts unbridled power in the band's power-pop, and even serpentine tracks like "Private Ruth" boast serious melodic backbone. Thanks to a Kickstarter campaign, the long-out-of-print masterpiece is back, this time with a second ?disc of demos and outtakes. And if you miss out again this time around, well, that's just your own damn fault.
Related
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Various Artists | Casual Victim Pile: Austin 2010
The notion that regional musical flavors exist independently in American cities is quickly becoming an archaic truism, seeing as how the world really is a stage these days, at least in the digital sense.
Bearstronaut | Broken Handclaps
There's a distinct absence of wildlife or astronauts on Lowell electronica quartet Bearstronaut's latest release.
Avi Buffalo | Avi Buffalo
Look, I get it: the last thing we need right now is yet another band who can be described as “sun-baked,” “reverb-soaked,” or even just “psychedelic.” But Avi Buffalo (I know! An animal name to boot!) are worth your attention for a few reasons.
J the S | The Last Days
J the S has been promising The Last Days since he went by Jake the Snake.
The Punch Brothers | Who's Feeling Young Now?
For a group full of virtuosos, the Punch Brothers refuse to dole out prodigious string-murdering sessions.
Ital | Hive Mind
If there was a broken-record knock against electronic music in the last decade, it's that it all sounded the same.
Die Antwoord | Ten$ion
Moreso than any "controversially-lipped" chanteuse (to borrow from one of Lana Del Rey's many observers), South African rap/rave/meme/satire/knuckleheads Die Antwoord beg the question:"Is that all there is?"
Van Halen | A Different Kind of Truth
Who would've thought Eddie Van Halen would still be innovative in his late 50s?
Craig Finn | Clear Heart, Full Eyes
In the near-decade he's spent as frontman-lyricist of bar-rock saviors the Hold Steady, Craig Finn has hardly been labeled a happy camper.
Field Music | Plumb
The buzz about Britain's Field Music has been growing for some time.
Cursive | I Am Gemini
Cursive blew their chance to get out of this town a long time ago when they let cellist Gretta Cohn go.
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@ Andy's Old Port Pub
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karaoke with DJ Ponyfarm
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ARTICLES BY ZETH LUNDY
SUN KIL MOON | AMONG THE LEAVES
| May 22, 2012
The first thing you'll notice about Mark Kozelek's fifth LP as Sun Kil Moon are song titles that would give Morrissey a boner.
THE FIGGS | THE DAY GRAVITY STOPPED
| May 15, 2012
These days Mike Gent, Pete Donnelly, and Pete Hayes are involved in enough extracurricular activities (Graham Parker, NRBQ, countless side/session-men gigs) that you could hardly blame them if they closed their two decades-plus Figgs chapter.
BILLY BRAGG + WILCO | MERMAID AVENUE: THE COMPLETE SESSIONS
| May 01, 2012
In 1998, and again in 2000, English singer-songwriter Billy Bragg teamed up with Wilco— not yet on their post-Americana trip — to put unreleased Woody Guthrie lyrics to music.
RUFUS WAINWRIGHT | OUT OF THE GAME
| April 24, 2012
Out of the Game is being billed as the most "pop" album of Rufus Wainwright's career, which is to say that it dismisses many of his trademark classical and/or stagey affinities.
THE DANDY WARHOLS | THIS MACHINE
| April 17, 2012
The title of the Dandy Warhols' eighth record may be a Woody Guthrie allusion, but don't fret — the closest the Portland, Oregon, band get to politics here is a cover of Merle Travis's "16 Tons."
See all articles by:
ZETH LUNDY
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