The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 

Thurston Moore moves on

Demolition man
By DANIEL BROCKMAN  |  January 25, 2012
thurston
KOOL THINGS Despite Sonic Youth’s name and Thurston Moore and company’s propensity for aural chaos and adolescent giddiness, they never seemed young. 
When Thurston Moore takes the stage at Somerville Theatre on Tuesday, he will no doubt stroll through the wispy cloud-spires of last summer's Beck-produced solo effort, Demolished Thoughts (Matador). The record, a plaintive and earnest missive, string-laden and swooning with a romantic acoustic lilt, was a departure from the electric squall that Moore made his name with in Sonic Youth. And no doubt, with Sonic Youth being on indefinite hiatus following their mid-October bombshell announcement that Moore and Kim Gordon are splitting up, there will be some fans in Tuesday's seated crowd that would prefer a solid explanation from Moore in the place of a set of mournful and elegiac tuneage.

Moore, of course, owes no such explanation. His work with Sonic Youth speaks for itself: not only the band's 16 albums in 30 years, but the way that they spent every second of those three decades restlessly scouring through emerging sounds and forging relationships that would sprout into spidery growths in almost every burgeoning subgenre or scene. Sonic Youth were, in large part, a tie that held the slippery mass of '80s/'90s underground post-punk musical culture in place — if that mass has held shape long enough to have hardened to the point where Thurston and Co. are no longer needed to hold it together, it doesn't make the band's ambiguous tapering off anymore palatable. Doubly so since the band's sudden dissolution is tied to the announcement of Moore and Gordon's separation after 27 years of marriage.

Putting aside the disillusionment inherent in the Moore/Gordon split, a world-makes-no-sense breakup on par with Tipper and Al (or, more accurately, Tim Robbins and Susan Sarandon), it is still impossible to understate the importance of the couple's relationship: how it was crucial not only to the mythology of the band itself, but to '90s indie rock's sense of maturity.

After all, despite Sonic Youth's name and their propensity for aural chaos and adolescent giddiness, they never seemed young, partly because their music and curatorial attitude was always so informed and high-minded. But behind it all was the way that Moore and Gordon — and their stable and egalitarian relationship — towered over the band's zany art-damaged antics. Sonic Youth were always grounded by the free-spirit wisdom that Moore and Gordon's relationship exuded — and through the decades, that proved to be somewhat timeless.

As Sonic Youth moved on in years, Moore came into his role as an elder statesman of post-punk rock culture. He has long been the interview guy in rock-docs, calmly pontificating or sharing a late-'70s anecdote in front of his towering vinyl collection in the study of his Northampton home. It is possible, however, that Moore and the band began considering the possibility that this stable indie presence could not run on forever.

1  |  2  |   next >
Related: The Punch Brothers | Who's Feeling Young Now?, Airman punk, 2009: The top 10 in pop music, More more >
  Topics: Music Features , Music, Sonic Youth, Arts,  More more >
| More

[ 05/29 ]   Brad Hooper  @ Andy's Old Port Pub
[ 05/29 ]   karaoke with DJ Ponyfarm  @ Slainte
ARTICLES BY DANIEL BROCKMAN
Share this entry with Delicious
  •   RAZORMAZE ADDS FOCUS TO THEIR THRASH  |  May 15, 2012
    For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
  •   ZAMBRI | HOUSE OF BAASA  |  May 15, 2012
    For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
  •   CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE  |  May 08, 2012
    When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
  •   [R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS  |  May 08, 2012
    ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
  •   INTERVIEW: SIMON REYNOLDS TRIES TO LOOK FORWARD  |  April 24, 2012
    Quick, try to think of futuristic music that has nothing to do with the music of the past. Can't do it?

 See all articles by: DANIEL BROCKMAN



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group