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CD Reviews
Fang Wizard | Pure Hex
Teen Beat (2011)
By
JONATHAN DONALDSON
|
December 14, 2011
Fang Wizard | Pure Hex
" alt="photo of 'Fang Wizard | Pure Hex'">
3.5
Stars
Who really cares about evaluating the long-term importance of how a record fits into an artist's oeuvre? Sometimes, a good screw-off is exactly what the ears need. And
Pure Hex
is the perfect poison for anyone debating the pleasures and pitfalls of the crusty Lou Reed/Metallica pairing. The debut from the mysterious Fang Wizard (who could actually be Teen Beat's Mark Robinson in a lucha libre mask) was apparently six years in the making. What is more mysterious, though: that the record contains not a single lyric, or that it sounds like it was made by a kid genius on one rain-soaked Sunday afternoon? Like a number of other Teen Beat classics,
Pure Hex
has that perfect balance of incidental and elemental: ultra-strummy, homespun percussion, household noises clicking. In fact this is so right up Robinson's alley, that if this isn't actually him, it's a mix-tape devoted to his ethos. Need totally disposable and fluffy Casio pop? ("Mountain Goo.") A guitar jam that sounds like 13th Floor Elevators? ("Shorts Illustrated.") Or how about two-minutes of a delayed vocal sigh? ("Flunk Marshmallow.")
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Trans Am | What Day Is It Tonight? Trans Am Live, 1993 - 2008
Trans Am are distillers of guilty pleasures, mixing fat AOR riffs with sleazy electronic accents and a propulsive attitude typically reserved for arcade soundtracks. What Day Is It Tonight? covers the DC-area band’s 20-year history with high-quality, high-energy live cuts taken from their many tours.
Various Artists | Where the Action Is: Los Angeles Nuggets 1965 - 1968
More than three years in the making, the most recent installment of Rhino's legendary archival garage-rock series offers an amazingly comprehensive excavation of an absurdly fertile scene.
Various Artists | Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966–1970
Girl-group records are great and everything, yet the countless compilations out there were becoming a little hit-or-miss until 2005, when the great Girl Group Sounds Lost and Found box set finally gave this diverse genre a proper taxonomy.
Various Artists | Casual Victim Pile: Austin 2010
The notion that regional musical flavors exist independently in American cities is quickly becoming an archaic truism, seeing as how the world really is a stage these days, at least in the digital sense.
Bearstronaut | Broken Handclaps
There's a distinct absence of wildlife or astronauts on Lowell electronica quartet Bearstronaut's latest release.
Avi Buffalo | Avi Buffalo
Look, I get it: the last thing we need right now is yet another band who can be described as “sun-baked,” “reverb-soaked,” or even just “psychedelic.” But Avi Buffalo (I know! An animal name to boot!) are worth your attention for a few reasons.
Review: Brandon Flowers | Flamingo
Brandon Flowers has gone on record saying he brought the songs on Flamingo to his fellow bandmates for the next Killers album and was given the brush-off.
Review: Kevin Dunn | No Great Lost: Songs 1979–1985
Casa Nueva Industries (2010)
Review: Crocodiles | Sleep Forever
With remarkable swiftness, Crocodiles tick off all the key characteristics of a band in the thriving lo-fi indie/punk/garage scene.
Review: Teengirl Fantasy | 7AM
If the demise of traditional record making is designed to foster any band’s fruitful existence, it’s that of Teengirl Fantasy.
Review: Screaming Females | Castle Talk
Screaming Females are one of those rare examples of a band who fester so long in the dark — in this case, the teeming basements of New Brunswick, New Jersey — that they sour into something great by the time anyone’s heard of them.
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