The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

Review: Paranormal Activity

More than cheap thrills
By Peter Keough  |  October 15, 2009
2.5 2.5 Stars

The "normal" puts the chills in Paranormal Activity. The illusion of amateur camerawork and everyday life can make a moving door or a shadow a lot scarier than an elaborate CGI effect, as TheBlair Witch Project (1999) proved. In what seems a homemade Ghost Hunters episode, yuppie couple Micah (Micah Sloat) and Katie (Katie Featherston) employ a video camera to find out what's been going bump in the night.

By the time they get to "Night #20" things have gotten a little repetitious and predictable, but Oren Peli in his feature debut has a few jolts in store, and the natural performances of the cast and the aura of reality provided by the video format keep the tension high. Peli also has something more than cheap thrills in mind, as the film unobtrusively explores the nature of male/female relationships and of filmmaking itself.

It does much the same job as Lars von Trier's upcoming Antichrist, but spares the gory details.

Related: Review: Antichrist, Interview: Lars von Trier of Antichrist, Tales of the Providence Ghost Tour, More more >
  Topics: Reviews , Lars von Trier, Lars von Trier, Parapsychology and the Paranormal,  More more >
| More

[ 02/19 ]   Circle Mirror Transformation  @ Theater Project
[ 02/19 ]   Jozef van Wissem + Robbie Lee + Arborea  @ The Oak and The Ax
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: Peter Keough



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group