The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

Review: Ponyo

Visually stunning, but leaves you shaking your head
By PETER KEOUGH  |  August 12, 2009
2.5 2.5 Stars

 

In a film like Spirited Away (2001), Hayao Miyazaki takes flight and creates his own seductive animated universe. When tied to a Disney fable about the environment and true love, he lurches from cliché to myth to things that just leave you shaking your head. In the latter category is Fujimoto (Liam Neeson), an undersea wizard who looks like Michael Jackson.

He's mixing elixirs to keep "the world in balance," and he has a school of little fish daughters. One of these, his favorite, he keeps in a bubble safe from the disgusting humans. There's a little bit of Captain Nemo and Finding Nemo here, not to mention The Little Mermaid as the fish falls in love with a little boy (he calls her Ponyo) and evolves (at one awkward stage she looks like Ernie Bushmiller's Nancy) into a little girl.

Oh, and did I tell you about the world out of balance and true love? The film is visually stunning, however, with a A-list cast of voices that include Matt Damon, Cate Blanchett, and Tina Fey.

Related: Review: The Curious Case of Benjamin Button, Middling earth, Review: Up, More more >
  Topics: Reviews , Celebrity News, Entertainment, Michael Jackson,  More more >
| More

[ 02/16 ]   Chamberlin + Tan Vampires + Worried Well  @ Empire Dine And Dance
[ 02/16 ]   "Guyland: the Perilous World Where Boys Become Men"  @ Bowdoin College
[ 02/16 ]   Mary Halvorson + Chris Weisman  @ Buoy Gallery
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group