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Review: Big Mommas: Like Father, Like Son
Reviews
Review: The Hangover
Almost all the elements are familiar.
By
PETER KEOUGH
|
June 2, 2009
THE HANGOVER
2.0
Stars
VIDEO: The trailer for
The Hangover
VIDEO:
Peter Keough interviews Ed Helms.
The increasingly tiresome trend of raunchy comedies about bad male behavior finds nothing new to laugh about in Todd Phillips's retread of
Old School
(2003).
Almost all the elements are familiar. We have four stereotypical friends who drive to Vegas for a bachelor party: the regular-guy groom, Doug (Justin Bartha); the would-be hipster, Phil (Bradley Cooper); the nerdy worry wart, Stu (Ed Helms); and the freaky loser and brother-in-law-to-be, Alan (Zach Galifianakis).
In Vegas, they encounter the usual gags involving vomit, a naked man, a mystery baby, a trashed hotel room, a tiger, a guy Tasered in the nuts by a schoolgirl, and Mike Tyson. The gimmick: the next day the groom is gone, nobody can remember what happened, and they have to reconstruct everything.
It's
Dude, Where's the Groom?
Oh, and don't forget that comic stand-by: the suffocating women back home who are the reason for the trip in the first place.
Related
:
Review: The Hangover Part II
,
Review: Due Date
,
Interview: Zach Galifianakis
,
More
Review: The Hangover Part II
Amnesia might be the key to enjoying Todd Phillips's reprise of his 2009 hit comedy, since it follows by rote the formula set up in the original.
Review: Due Date
Phillips, Downey, Galifianakis just barely deliver
Interview: Zach Galifianakis
Zach Galifianakis is one of those comics whose genius does not quite fit on the big screen.
Review: Planet 51
The opening for the latest animated kids’ fantasy is promising — but it’s for another movie.
Review: Youth In Revolt
Juno continues to poison American independent cinema.
Review: Dinner for Schmucks
The difference between French and Hollywood filmmaking consists of more than just subtitles.
Review: Scallops and lamb soar at Havana South
If you visit the Web site of Havana South, a new restaurant in the Old Port, you will find a photo of Barack and Michelle Obama looking handsome and happy.
Review: Types play to the max in My Gay Son's Wedding
It's a testament to our cultural progress, perhaps, that most of the troubles surrounding Eric's imminent wedding have little to do with the fact that he's marrying a man.
Review: It's Kind of a Funny Story
The moment comes at around the midway mark of Anna Boden & Ryan Fleck's third narrative feature.
Tribute: Friends remember Billy Ruane
Billy Ruane died on a Tuesday night.
Hollywood's apes: monkey puzzle or intelligent design?
For nearly a century apes have haunted the screen, and the link between man and ape has obsessed filmmakers.
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ARTICLES BY PETER KEOUGH
REVIEW: CORIOLANUS
| February 16, 2012
In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
REVIEW: SAFE HOUSE
| February 15, 2012
Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
REVIEW: THE SECRET WORLD OF ARRIETTY
| February 15, 2012
The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
REVIEW: RAMPART
| February 15, 2012
The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY
| February 10, 2012
The films in this program contain some of the most powerful images to be seen on the screen this year.
See all articles by:
PETER KEOUGH
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