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Review: Big Mommas: Like Father, Like Son
Reviews
Walk Hard: The Dewey Cox Story
Easy jokes? Absolutely
By
BRETT MICHEL
|
December 19, 2007
WALK HARD: THE DEWEY COX STORY
" alt="photo of 'WALK HARD: THE DEWEY COX STORY'">
3.0
Stars
WALK HARD: John C. Reilly charms.
“Life made him tough. Love made him strong. Music made him hard.” His name? Dewey Cox. Easy jokes? Absolutely. But under the direction of Jake Kasdan (
The TV Set
) and the guiding hand of his producer and co-writer, Judd Apatow (
Knocked Up
and
Superbad
), this send-up of
Walk the Line
,
Ray
, and damn near every musical bio-pic ever made swings for the fences and makes it at least to third. Granted, we’re talking softball, but when John C. Reilly is your pitcher, you’re halfway to the pennant. Reilly’s Cox is an addled charmer who never met a drug he didn’t become addicted to –– prodded on by long-time bandmate Sam, gamely played by Tim Meadows (“Don’t do it!”) –– and then kick, or a hole he didn’t fuck. (Was that a penis on screen?) He also has no sense of smell, though that didn’t get in the way of his musical gifts. After all, he learned how to play “by ear.” Stupid? Sure, but laced with a strange sense of logic, like the gag that follows the end credits . . .
98 minutes | Boston Common + Fenway + Fresh Pond + Circle/Chestnut Hill + suburbs
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Rock and roles
A good number of the jokes in Walk Hard: The Dewey Cox Story are available for your amusement right now, well ahead of the film’s December 21 theatrical-release date.
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The best films of 2007 hold their own when it comes to despair, evil, and treachery.
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William Faulkner conceived The Sound and the Fury from a mental picture of a pair of women’s underpants dangling on a clothesline.
Review: Jennifer's Body
You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out of its receiver.
The Promotion
Reilly is an actor who excels at both realism and caricature — too bad the director doesn’t have the chops to take advantage either way.
Pot luck
Pineapple Express is the movie Knocked Up might have been had it not copped out.
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Eddie Murphy proves he doesn't need a fat suit to play soft in Karey Kirkpatrick's surprisingly nuanced family comedy.
Right to choose
“For all of us to have our own opinion, this is what I want. It’s not like telling people what to do.”
Review: Year One
Mel Brooks and the lads from Monty Python stormed through this territory with fierce farce. Here there's little farce, just a fusillade of flaccid dick jokes.
The cuteness surge
Cuteness, of course, is the collective cultural cure-all to our problems.
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ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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