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Review: Yellowbrickroad
Reviews
Redacted
The camera war
By
PETER KEOUGH
|
November 14, 2007
REDACTED
" alt="photo of 'REDACTED'">
2.5
Stars
REDACTED: Conflicting images of war.
The Iraq War movies are starting to resemble the war itself: miscalculated, mishandled, unpopular, and with no end in sight. Brian De Palma’s
Redacted
has at least aroused some outrage, if only because it turns one of the worst atrocities of the debacle into a glib commentary on the elusive nature of truth and images. At a checkpoint in Samarra, a bored soldier (Iggy Diaz) records his experiences on video in the hope of using the material to get into film school. Meanwhile, a French film crew is shooting him and his unit for a documentary, adding to a growing mélange of cable-news broadcasts, Web sites, and security cameras recording, exploiting, and spewing forth mutually reflective images. Didn’t Francis Coppola already make the same point about media unreality with a single cameo in
Apocalypse Now?
Despite the pretensions, the truth — soldiers raping a minor and killing her and her family — persists no matter who is holding the camera.
90 minutes | Kendall Square
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In 1989, filmmaker Brian De Palma directed the potent Hollywood feature Casualties of War , taking his audience back in time to a vile true-life incident from Vietnam.
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This article originally appeared in the June 26, 1987 issue of the Boston Phoenix.
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In almost every movie you go to these days you’ll see another screen — a television, a computer, even another movie screen — within the screen you’re watching.
Theater of war
Saving Private Ryan reprised the glory days of GI Joes fighting nobly at Normandy, but it certainly didn’t spawn a comeback of World War II combat flicks.
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