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Review: Yellowbrickroad
Reviews
Sleuth
Michael Caine remaking Michael Caine
By
MARK BAZER
|
October 17, 2007
SLEUTH
2.5
Stars
VIDEO: Watch the trailer for Sleuth.
Is there a more amusing pop-culture trend than Michael Caine acting in remakes of his old movies? The 1972
Sleuth
was nominated for four Oscars, including one for Caine. This new one, updated for a high-tech, sarcastic age by director Kenneth Branagh and screenwriter Harold Pinter, is an all-around witty, mischievous bit of filmmaking — for an hour or so. Caine, in the role previously played by Laurence Olivier, is Andrew Wyke, a successful mystery novelist; Jude Law, in the role previously played by Caine, is Milo Tindle, a struggling actor sleeping with Wyke’s estranged wife. Tindle visits Wyke at his estate to ask him, politely, to grant his wife a divorce, but it’s clear from the outset that the novelist is intent on bringing his fiction to life. What ensues is a series of a sadistic “games” and verbal sparrings between the two, kept fresh for as long as a glimmer of enjoyment and mutual respect shines through. Think Carlton Fisk and Thurman Munson.
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For the past half decade or so, saxophonist Chris Potter has alternately traveled with two of the best bandleaders in jazz, Dave Holland and Dave Douglas.
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In his third year as resident composer and professor at the University of Southern Maine, Daniel Sonenberg is making his mark in the field.
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ARTICLES BY MARK BAZER
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| September 02, 2009
I'm hard-pressed to say, though, whether Extract is a significant leap forward for Judge in terms of story or just not as funny as his earlier work.
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| November 05, 2008
Mac especially is a joy to watch, and a counterpoint to the humor elsewhere, as he breaks out Temptations-style moves with just the right mix of sly fun and respect for the music.
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As the lead character narrates his “filthy” story, and those of his London flatmates/neighbors, we hit upon boredom long before wisdom can arrive.
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| October 15, 2008
Kids who see the truth when adults cannot is a central idea in children’s stories, but today’s kids would hardly recognize the grown-ups in Ember’s totalitarian society.
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| September 16, 2008
Nothing like walking out of a theater with your kid asking, “Daddy, what is suicide?”
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