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Review: Yellowbrickroad
Reviews
Live Free or Die Hard
The franchise proves aptly named
By
PETER KEOUGH
|
June 27, 2007
LIVE FREE OR DIE HARD
3.0
Stars
VIDEO: Watch the trailer for
Live Free or Die Hard
.
Talk Free: Burce Willis lets loose. By Sharon Steel.
The franchise proves aptly named; the
Die Har
d series was about as animated as Rocky’s face until director Len Wiseman restored it to its kinetic essence: large vehicles, big explosions, and hapless henchman flying about the singed, bleeding, Don Rickles dome of Bruce Willis’s Detective John McClane. Alienated from his daughter, financially distraught, and needing a shave, McClane takes on the routine assignment of delivering hacker Matt Farrell (Justin Long) to the feds — an assignment that draws him yet again into a megalomaniac plot. The scheme: shut down every computer, exploit government incompetence, and shake down the country for every cent it’s worth. The first in the series to earn a PG-13, Live Free or Die Hard benefits from the tighter restrictions: not only does the rating stifle Kevin Smith’s cameo, but it encourages cleverness and wit rather than shock and gore, making Willis the wisecracking Buster Keaton of the overproduced action movie.
Related
:
16 Blocks
,
The girls of summer
,
Crossword: 'A life of Es'
,
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16 Blocks
Assigned to transport a talky, small-time crook (Mos Def) to court, NYPD detective Jack Mosley (Bruce Willis) rediscovers his inner cop when he learns that the kid is about to testify against some corrupt cops.
The girls of summer
It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
Crossword: 'A life of Es'
Those other vowels are so overrated
Apocalypse now and then
With Snakes on a Plane and World Trade Center opening on the same day, this summer won’t be offering the usual escapist fare.
Over the Hedge
“We eat to live; they live to eat.”
Lucky Number Slevin
“It all starts with a horse,” begins wheelchair-bound Mr. Goodkat (Bruce Willis), describing a “Kansas City shuffle” — hipster slang for elaborate misdirection, this film’s MO.
Review: Sorority Row
You can't fault young actresses (here including Rumer Willis, the daughter of Demi Moore and Bruce Willis, and Briana Evigan, who's nearly Moore's double) for jumping into a mindless movie like this one from Stewart Hendler.
Politics as usual?
Conspiracy, corruption, catastrophe — politics and world events sure can be exciting. Even the mainstream news is taking an interest.
Bruce Willis lets loose
I n the middle of my conversation with Bruce Willis at the Four Seasons, the lights inexplicably go out and we’re plunged into darkness.
Used but not abused
The Maginot Line of vintage clothing is most assuredly underwear.
What Just Happened
“There isn’t a film there,” Ben tells the screenwriter. Sounds like What Just Happened .
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[
05/28
]
Bela Fleck + Marcus Roberts Trio
@ Stone Mountain Arts Center
[
05/28
]
Downeast Singers: "Peace Music"
@ Camden Opera House
ARTICLES BY PETER KEOUGH
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
REVIEW: THE DICTATOR
| May 16, 2012
Though his PR campaign might suggest otherwise, Sacha Baron Cohen has actually made (with director Larry Charles) a sweet movie, not unlike Charlie Chaplin's The Great Dictator , if less sentimental.
REVIEW: THE HUNTER
| May 17, 2012
Apparently extinct since the 1930s, the Tasmanian Tiger resembled an uncanny assortment of mismatched parts from other animals. Daniel Nettheim's film is equally weird and motley.
See all articles by:
PETER KEOUGH
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