The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 

Review: Extremely Loud and Incredibly Close

An extremely exploitative and incredibly bad tale
By BRETT MICHEL  |  January 17, 2012
1.0 1.0 Stars



Too soon? For Stephen Daldry's 9/11 drama, the right time is "never." Outrageously manipulative (that's Oscar-winner Tom Hanks falling from the World Trade Center toward the camera in one of many ill-advised moments), writer Eric Roth has adapted Jonathan Safran Foer's much-loved novel into the extremely exploitative and incredibly bad tale of a grieving nine-year-old (junior Jeopardy! winner Thomas Horn in a mannered acting debut) who channels his apparent Asperger's into a four-borough journey through New York (with a mute Max von Sydow in tow; I'm speechless too) in search of a lock that fits a mysterious key belonging to his deceased dad (Hanks), the supposed solution to a puzzle that will lead him to catharsis. Poor Sandra Bullock, better than the material and adrift as the boy's patient, understanding mom. Not to worry, Sandy — you've already got your Oscar.

Related: Review: Manhattan Short Film Festival, Review: The Divide, Review: First Position, More more >
  Topics: Reviews , New York, Boston, debut,  More more >
| More

[ 05/29 ]   Brad Hooper  @ Andy's Old Port Pub
[ 05/29 ]   karaoke with DJ Ponyfarm  @ Slainte
ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: GIRL IN PROGRESS  |  May 15, 2012
    As rites of passage go, Girl in Progress is a step backward for the genre.
  •   REVIEW: FIRST POSITION  |  May 10, 2012
    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
  •   REVIEW: THE BEST EXOTIC MARIGOLD HOTEL  |  May 03, 2012
    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
  •   REVIEW: BLUE LIKE JAZZ  |  April 12, 2012
    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
  •   REVIEW: JIRO DREAMS OF SUSHI  |  April 04, 2012
    Eighty-five-year-old Jiro, with his unchanging expression and bald pate, resembles a wizened turtle. Leaving home at age 9 and forced to fend for himself, he would become the world's greatest sushi chef.

 See all articles by: BRETT MICHEL



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group