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The best films of 2011 are not the ballyhooed

Also-rans
By PETER KEOUGH  |  December 21, 2011

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The films this year were kind of like the current field of Republican presidential candidates: some are entertaining, but there's no clear frontrunner, and there's more attention on the flashiest and least substantial than on the more thoughtful and genuine. In other words, too much emphasis on The Artist and Hugo and not enough on Margaret (my psersonal pick for best film of the year). The latter, abandoned by its studio but embraced by the critics, is kind of like the Jon Huntsman — or Tim Pawlenty — of 2011 movies. Some of the others on my list are getting more of a run for their money, but you have to look beyond the hype to see that this is an above average year in film.

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Related: Review: Tetro, Review: Irene in Time, Review: The Slammin' Salmon, More more >
  Topics: Features , Movie Reviews, films, drive,  More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: WHERE DO WE GO NOW?  |  May 22, 2012
    Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
  •   REVIEW: MEN IN BLACK 3  |  May 24, 2012
    Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
  •   INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE  |  May 16, 2012
    No matter how far he strays, Richard Linklater's heart remains in Texas.
  •   REVIEW: THE DICTATOR  |  May 16, 2012
    Though his PR campaign might suggest otherwise, Sacha Baron Cohen has actually made (with director Larry Charles) a sweet movie, not unlike Charlie Chaplin's The Great Dictator , if less sentimental.
  •   REVIEW: THE HUNTER  |  May 17, 2012
    Apparently extinct since the 1930s, the Tasmanian Tiger resembled an uncanny assortment of mismatched parts from other animals. Daniel Nettheim's film is equally weird and motley.

 See all articles by: PETER KEOUGH



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