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Latest Articles
Dominique Eade at Scullers
All about transparency
"I'm discontented with homes that I've rented/so I have invented my own," sang Dominque Eade slowly, over a simple bass accompaniment.
By
JON GARELICK
| February 10, 2012
Jason Moran at Jordan Hall
"In My Mind"
I have to admit, I was not sanguine at the beginning of this highly anticipated concert by pianist and composer Jason Moran.
By
JON GARELICK
| February 03, 2012
Poetic chaos
A Troop of Echoes spend Days In Automation
The melodic noise collective known as A Troop of Echoes will unveil their full-length debut Days In Automation next weekend at AS220, hosting their album release party alongside an impressive gathering of local support.
By
CHRIS CONTI
| May 19, 2010
Covering Lacy
A jazz master’s legacy finds traction
For Josh Sinton, Steve Lacy stood out almost from the beginning.
By
JON GARELICK
| May 24, 2010
Radical night out in Portland
Activism Optimism
“People are upset about Guantánamo and Abu Ghraib,” Noam Chomsky told 750 people packed into the Woodfords Congregational Church last Saturday night, “but if you’re concerned about human rights, take a walk into a maximum-security prison.”
By
LANCE TAPLEY
| April 28, 2010
Review; Fred Hersch at Jordan Hall
Fred Hersch, live at Jordan Hall, February 17, 2010
Photos from Fred Hersch's set at Jordan Hall
By
JON GARELICK
| February 19, 2010
A wake-up call
Ranting about money and media; musical musings; and notes from the road
Some months back, Judge Richard Posner, a prolific author and longtime leading figure in the laissez-faire-oriented Chicago school of economics published his latest tome, a little bit of conservative heresy titled A Failure of Capitalism .
By
PHILLIPE AND JORGE
| January 27, 2010
2009: The year in jazz
In and out
Here, in no particular order, are some of my favorite things from among the people, CDs, and concerts I wrote about in 2009.
By
JON GARELICK
| December 21, 2009
Concertizing
John Hollenbeck plays New Year's Eve! Plus, the Rempis/Rosaly duo
When I reach John Hollenbeck by phone, he's on a sojourn typical of the modern itinerant composer — a week-long teaching residency.
By
JON GARELICK
| December 15, 2009
Getting the story
Gary Giddins and Scott DeVeaux sing jazz's many strains
Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
By
JON GARELICK
| December 01, 2009
Teachers and students
NEC and Berklee set the jazz stage
Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as one of the international twin beacons of jazz education in Boston along with Berklee College of Music.
By
JON GARELICK
| September 14, 2009
Gubernatorial agonistes
Caprio makes a big move. Plus, reasons to block the LNG terminal
On Tuesday, WRNI political reporter and former Phoenix news editor and master of the Casa Diablo elbow bend, Ian Donnis, broke the news that veteran political communications specialist, Bill Fischer, head ramrod at True North Communications, had signed on as spokesman for the State Treasurer Frank Caprio's gubernatorial campaign committee.
By
PHILLIPE & JORGE
| August 05, 2009
Meet the Beatles!
The Gary Burton Quartet remembers its roots
Swallow says that when he first picked up an electric bass, "My immediate impression was: 'Oh, shit! I'm in deep trouble here!' "
By
JON GARELICK
| June 17, 2009
Gabba gabba hayride
Tommy Ramone’s roots show in Uncle Monk
Punks in the know will tell you that the club where the music started, CBGB, is an acronym for “country, bluegrass, and blues.”
By
STEVEN BEEBER
| July 08, 2008
By
| January 01, 0001
In action
The ‘Jazz Icons’ DVDs
In the era of YouTube, we’re apt to forget that not every note of music ever played has been captured on film or video.
By
JEFF TAMARKIN
| November 26, 2007
Standards
Julius Hemphill at the Gardner, Cyrus Plays Elvis
For much of his life, no one played Thelonious Monk pieces except Thelonious Monk.
By
JON GARELICK
| October 23, 2007
Three for the road
Herbie Hancock, Renee Rosnes, and Luciana Souza
Maybe it’s Larry Klein’s world and the rest of us just live in it.
By
JON GARELICK
| August 21, 2007
Birds of a feather
The jazz flocks gather at Newport
What continues to make the JVC Jazz Festival at Newport so vital these days isn’t just the variety but the depth of the variety.
By
JON GARELICK
| August 15, 2007
Fathers and son
Joshua Redman goes East
It must be daunting to have Joshua Redman’s talent.
By
JON GARELICK
| May 01, 2007
The golden age
The USM School of Music celebrates 50 years
The University of Southern Maine’s School of Music celebrates a golden anniversary, with a performance featuring nearly 300 performers and two world premieres by Maine composers.
By
BEN MEIKLEJOHN
| April 25, 2007
Making small bigger
Upsizing the Portland Chamber Music Festival
Chamber music originated in the 17th and 18th centuries for nobles and aristocrats, written by personal house composers.
By
BEN MEIKLEJOHN
| February 28, 2007
Having more fun
Lucinda Williams goes West
By the time Car Wheels on a Gravel Road came out, Mary Chapin Carpenter, Emmylou Harris, and Tom Petty had all recorded Williams’s songs.
By
MATT ASHARE
| February 13, 2007
Brother Thelonious Belgian Style Abbey Ale
Not a bum note
They called him Melodious Thunk.
By
MIKE MILIARD
| October 18, 2006
The anxiety of influence
Tyner, Coltrane, Kenny Garrett, and Branford Marsalis
“I’m playing changes!” That’s what a young jazz-pianist acquaintance of mine announced exultantly to one of his musical buddies back in the early ’70s.
By
JON GARELICK
| September 26, 2006
From Chicago to Addis
The Vandermark 5 and the Either/Orchestra bring it all back home
I know of no single, clear definition of “free bop,” but I think I know it when I hear it, and I’d say no one does it better than the Vandermark 5.
By
JON GARELICK
| February 09, 2006
E.S.T. at Scullers
Jazz On Ice
Svensson has said that Radiohead and Wilco have been more of an influence than contemporary jazz on E.S.T.
By
JON GARELICK
| January 30, 2006
view all
[
02/18
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"48 Hour Music Festival 4"
@ SPACE Gallery
[
02/18
]
Inspectah Deck + Colt Seavers
@ Port City Music Hall
[
02/18
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Jeff Beam + Tanner Smith + John Nels
@ The Hive
BLOGS
As predicted, Ron Paul is going full steam
About Town
| February 16, 2012 at 4:10 PM
Today's birth control outrage
February 16, 2012 at 1:20 PM
Vote for a Phoenix art writer!
February 16, 2012 at 9:48 AM
Romney-Paul caucus brouhaha continues
February 14, 2012 at 10:14 AM
Chris Brown reactions: NOT OKAY!
February 13, 2012 at 10:28 AM
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