Orchestral Music

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Rockport rules

A new beginning for the music festival
Pianist David Deveau, celebrating his 15th year as director of the Rockport Chamber Music Festival (now Rockport Music) and the opening of the elegant, $20 million Shalin Liu Performance Center on Main Street, said that the sound in the new hall, at the rehearsal he'd heard that afternoon of the original chamber version of Wagner's Siegfried Idyll , had moved him to tears.
By LLOYD SCHWARTZ | June 15, 2010

Gravity and grace

Mono’s tender post-rock gets even bigger
Like most post-rock bands worth their “post-rock” tag, Mono — who come to the Middle East this Friday — just can’t help sounding immense.
By REYAN ALI | May 25, 2010

Blythe spirit

Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
By LLOYD SCHWARTZ | May 17, 2010

Jonathan McPhee and The Longwood Symphony Orchestra

Northern Lights
Jonathan McPhee and The Longwood Symphony Orchestra at Jordan Hall on May 1, 2010
By JEFFREY GANTZ | May 06, 2010

Ye gods!

BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
By LLOYD SCHWARTZ | April 28, 2010

All you need is love

Marylou Speaker Churchill memorial, Emmanuel Music’s Haydn/Schoenberg, and more
Outpourings of love have been flooding the Boston musical scene.
By LLOYD SCHWARTZ | April 21, 2010

Codeine Velvet Club | Codeine Velvet Club

Dangerbird (2010)
Like a Glaswegian version of Arctic Monkeys frontman Alex Turner’s Last Shadow Puppets , the Codeine Velvet Club project finds Jon Lawler of the Fratellis making retro-’60s supper-club pop with sweeping orchestral arrangements where the fuzzy guitars usually go.
By MIKAEL WOOD | April 14, 2010

Stuff at night

The BSO without Levine, Yo-Yo Ma, the Cantata Singers, American Classics, the Zerounian Ensemble
This week’s health headlines also included the announcement from the Boston Symphony Orchestra that music director James Levine has been sidelined again, from the “excruciating pain” he’s been suffering since his surgery for a herniated disc.
By LLOYD SCHWARTZ | April 29, 2010

What's new

BMOP, and the Christian Wolff festival
The timely highlight of Gil Rose’s latest BMOP (Boston Modern Orchestra Project) concert, “Strings Attached,” was a new/old piece (2004, revised 2009) for two string orchestras by Scott Wheeler now called Crazy Weather — the new title taken from a John Ashbery poem that begins, “It’s this crazy weather we’ve been having.”
By LLOYD SCHWARTZ | March 23, 2010

Bach beat

Lions and lambs
Composers John Harbison and Peter Lieberson are big presences this spring.
By LLOYD SCHWARTZ | March 08, 2010

Interview: Hilary Hahn

No strings
"Just because I play classical music doesn't mean I am classical music."
By JON GARELICK | March 11, 2010

Cooking with steam

Radiator music warms up local orchestra
While most of us find the clang and bang of old radiators an annoying aspect of living in an old building, composer Travis Ramsey thought they sounded like music.
By EMILY PARKHURST | February 24, 2010

Tuba song

Hunter moves from the back of the hall to the spotlight
Dan Hunter wants you to know that a tuba is more than an oom-pah-pah machine or the big, shiny bell in the back of the orchestra. To Hunter, the tuba is a storyteller, an opera singer, and a melodic instrument.
By EMILY PARKHURST | February 17, 2010

Double trouble

BLO's The Turn of the S crew, Levine's Carter and Simon Boccanegra, Teatro Lirico, the Berlin Philharmonic Wind Quintet, and more
Boston Lyric Opera's debut Opera Annex production was so good in so many ways, it's painful that one bad idea just about sank it.
By LLOYD SCHWARTZ | February 09, 2010

Stopping time

The BSO, Peter Maxwell Davies, BCMS, BMOP, Mark Morris, and Christian Tetzlaff
BSO music director James Levine has returned to Symphony Hall for the first time since October, when back surgery put him out of commission.
By LLOYD SCHWARTZ | February 02, 2010

Portland Symphony Orchestra

Music Seen
At January 24, Merrill Auditorium
By CHRISTOPHER GRAY | January 27, 2010

Let's rock

The BSO, the Cantata Singers, Discovery Ensemble, and BCMS
WGBH radio has ended its 58-year tradition of live Friday-afternoon BSO broadcasts, and it doesn't seem that public outcry is going to change that.
By LLOYD SCHWARTZ | January 25, 2010

John Harbison plus 10

Picking from a packed concert schedule
Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.
By LLOYD SCHWARTZ | January 05, 2010

2009: The year in Classical

Beating the quease
This was a queasy year for classical music.
By LLOYD SCHWARTZ | January 04, 2010

Wanting more

The Borromeo and Emerson String Quartets, Dohnányi with the BSO, and Yiddish operetta at Harvard
After its triumphant traversal of the complete Béla Bartók string quartets at the Isabella Stewart Gardner Museum, the Borromeo Quartet was back for a free 20th- and 21st-century program at Jordan Hall, leading off with an accomplished recent piece by the 24-year-old Egyptian composer Mohammed Fairuz, Lamentation and Satire.
By LLOYD SCHWARTZ | December 16, 2009

Open spaces

The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the orchestral sound was the placement of the first and second violin sections on opposite sides of the stage.
By LLOYD SCHWARTZ | December 02, 2009

Photos: Ballet mécanique

Boston Modern Orchestra Project performs Ballet mécanique, live at Jordan Hall
BMOP performs Ballet mécanique, live at Jordan Hall on November 13, 2009
By DEREK KOUYOUMJIAN | November 18, 2009

Creationists

Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
By LLOYD SCHWARTZ | November 18, 2009

Blind ambition

Brother Ali is more than just albino
The only thing less common than Brother Ali–caliber MCs are profiles that don’t credit dude as “blind” and “albino” in the first graf.
By CHRIS FARAONE | November 05, 2009

In the swim

Guerilla Opera, von Stade’s farewell, the BSO, Handel and Haydn, the BPO, and that Tosca
My head’s swimming.
By LLOYD SCHWARTZ | October 14, 2009

He is a real composer

And don't you try to tell Joshua Newton otherwise
Joshua Newton wants you to know he doesn't write classical music.
By EMILY PARKHURST | October 07, 2009

The roar of the crowd

‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.
By LLOYD SCHWARTZ | October 13, 2009

Classical inheritance

Two fixtures hand over the reins to a younger generation
A teacher told me years ago that someday "you young people will inherit classical music. Then you can do with it what you want." And so I've been waiting.
By EMILY PARKHURST | September 30, 2009

Smaller, bigger, better

Boston Ballet’s fourth ‘Night of Stars’
Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
By JEFFREY GANTZ | September 22, 2009

Leon Kirchner, 1919–2009

In Memoriam
Craggy, tender, passionate, witty, rough-edged, lyrical, uncompromising, Leon Kirchner's music, so like the man himself, made an indelible impression. Even in his recent appearance at a 90th-birthday tribute concert at the Isabella Stewart Gardner Museum, the old fire and wit, the frankness and the refusal to sentimentalize, were there.
By LLOYD SCHWARTZ | September 23, 2009