Maurice Sendak

Latest Articles

2009: The year in movies

Men behaving badly
As I looked over my list of the best movies of 2009, it suddenly struck me: where are all the women on screen?
By PETER KEOUGH | December 28, 2009

Review: Where the Wild Things Are

Jonze, Eggers, and Sendak aren’t kidding around
I can’t speak for the kids, but I would rate Spike Jonze & Dave Eggers’s adaptation of Maurice Sendak’s 40-page children’s picture book up there with Up and Wall•E as topping the recent renaissance in children’s movies. If pressed, I’d rank it close to The Wizard of Oz .
By PETER KEOUGH | October 19, 2009

October lite

The outlook is still gloomy, but film finds time for childish things
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
By PETER KEOUGH | September 17, 2009

Music Seen: Lady Lamb The Beekeeper at Empire

Music Seen
It's easy for Portland to get behind an act as well-put-together as Lady Lamb the Beekeeper.
By CHAD CHAMBERLAIN | August 19, 2009

Censorship for Me, Penelope

Girl, Interrupted
Lisa Jahn-Clough's young-adult novel Me, Penelope is the subject of a recent dispute at Tavares Middle School in Orlando, Florida.
By ALEX IRVINE | March 04, 2009

Not so great

San Francisco's Nutcracker on PBS
Way back in 1977, PBS gave us a Nutcracker with a difference: Mikhail Baryshnikov as an electrifying Nutcracker/Cavalier and willowy Gelsey Kirkland as an older-than-usual Clara, as the Sugar Plum Fairy.
By JEFFREY GANTZ | December 02, 2008

Great gifts

Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
By LLOYD SCHWARTZ | March 12, 2008

The Art of William Steig by Claudia Nahson, et al.

Sweet tooth

Boston Lyric Opera imports The Little Prince , the BSO premieres Yehudi Wyner’s piano concerto, and Renée Fleming
I hope the estate of Leonard Bernstein is collecting royalties for The Little Prince . Rachel Portman’s unremittingly sweet and relentlessly lilting score for this children’s opera based on Antoine de Saint-Exupéry’s famous story borrows heavily from Bernstein’s Candide and West Side Story .
By LLOYD SCHWARTZ | April 19, 2006