Gabriela Diaz

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BMOP, and the Christian Wolff festival
The timely highlight of Gil Rose’s latest BMOP (Boston Modern Orchestra Project) concert, “Strings Attached,” was a new/old piece (2004, revised 2009) for two string orchestras by Scott Wheeler now called Crazy Weather — the new title taken from a John Ashbery poem that begins, “It’s this crazy weather we’ve been having.”
By LLOYD SCHWARTZ | March 23, 2010

2009: The year in Classical

Beating the quease
This was a queasy year for classical music.
By LLOYD SCHWARTZ | January 04, 2010

Almost

BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
By LLOYD SCHWARTZ | November 12, 2009

Center of gravity

Shi-Yeon Sung and Nelson Freire at the BSO; plus the Schubertiade Music Players and Emmanuel's St. Matthew Passion
If all those young people at last Thursday's BSO concert didn't leave Symphony Hall feeling excited about classical music and eager to come back, then classical music is in even more trouble than I thought.
By LLOYD SCHWARTZ | April 14, 2009

Ring in the new

Haydn trios, Kirchner's 90th-birthday concert, Cantata Singers' Britten, Teatro Lirico's Aida
If 2009 lives up to the grace and power of some of the concerts that began it, we can look forward to a vintage year.
By LLOYD SCHWARTZ | January 20, 2009

Lift every voice!

Classical goodies for 2009
Opera is the big word for 2009.
By LLOYD SCHWARTZ | December 30, 2008

Making small bigger

Upsizing the Portland Chamber Music Festival
Chamber music originated in the 17th and 18th centuries for nobles and aristocrats, written by personal house composers.
By BEN MEIKLEJOHN | February 28, 2007

Granduer and intimacy

Frühbeck de Burgos at the BSO, the Borromeos’ Schoenberg, BMOP at Club Café
One of the most delightful moments in Mozart comes at the very end of his Symphony No. 39 in E-flat, the first of his last trio of great symphonies.
By LLOYD SCHWARTZ | April 18, 2006