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Doug Varone

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BLO’s Barber of Seville; plus Eschenbach leads the BSO, Boston Baroque’s Mozart, and the Yiddish songs of Lazar Weiner

Cutting it close
In his program note for the Boston Lyric Opera production of Rossini's effervescent The Barber of Seville (Shubert Theatre, through March 18), music director David Angus asks us to listen extra carefully to this irresistible score, however familiar it may be.
By LLOYD SCHWARTZ  |  March 13, 2012

Boston Conservatory's ''Triple Play'' flies

New spirits
Doug Varone's 2006 The Constant Shift of Pulse is a modern dance classic of recent vintage: fast, death-defying, and passionate about nothing but the movement.
By MARCIA B. SIEGEL  |  February 22, 2012

Portland Ovations + Bates Dance Festival = Doug Varone choreography

A new work
In an unfavorable economic climate, what do choreographers need? They must have exceptional talent and skill, of course.
By JUNE VAIL  |  February 09, 2011

Dancing ballet or not

Hubbard Street Dance Chicago's Celebrity Series program at the Cutler Majestic last weekend could have been a primer of the ways not to dance ballet.
By MARCIA B. SIEGEL  |  February 10, 2009

Postmodern cabaret

Susan Marshall and Doug Varone at Bard
The Spiegeltent at Bard College fits into two big trucks and can be raised in a couple of days by a crew of workers.
By MARCIA B. SIEGEL  |  July 10, 2007

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