Carlos Molina

Latest Articles

Sparring with the Ultimate

Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
By MARICA B. SIEGEL | May 11, 2010

Boston Ballet’s ‘Ultimate Balanchine’
George Balanchine was famous for “non-story” ballets, but when you put three of his works — the usual number to fill up an evening — together, you always get some kind of narrative.
By JEFFREY GANTZ | May 13, 2010

Crowning glory

Boston Ballet's Jewels at the Wang Theatre.
In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
By JEFFREY GANTZ | March 04, 2009

Wising up

James Kudelka’s Cinderella at Boston Ballet
Sergei Prokofiev’s two classical ballets invariably find Boston Ballet playing the dating game.
By JEFFREY GANTZ | October 22, 2008

State of the art

Boston Ballet’s third ‘Night of Stars’
Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.
By JEFFREY GANTZ | October 17, 2008

Mastering the masterpieces

Boston Ballet takes on Balanchine, Tudor, and Tharp
It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
By JEFFREY GANTZ | May 21, 2008

At long last love?

Boston Ballet hitches up with John Cranko’s Romeo & Juliet
Boston Ballet has been playing the Romeo and Juliet dating game for almost 25 years now.
By JEFFREY GANTZ | February 20, 2008

Dark victory

Boston Ballet in Serenade and La Sylphide
It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
By JEFFREY GANTZ | October 31, 2007

Love and death

Boston Ballet's "Classic Balanchine" has all the basics
“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
By JEFFREY GANTZ | May 09, 2007

Sight and insight

Boston Ballet’s ‘New Visions’
“New Visions” is the kind of title ballet-company directors come up with for programs that are sort of new and are hoping for vision.
By JEFFREY GANTZ | March 07, 2007

Dreaming and remembrance

Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
Two momentous revivals in town showed us how big the category of classical ballet really is.
By MARCIA B. SIEGEL | February 21, 2007

Stairway to Paradise?

Boston Ballet's Gala performance
It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
By JEFFREY GANTZ | October 26, 2006

Lambarena redux

Pacific Northwest Ballet and Choreftes at JP, plus BB 2006 – 2007 and a DVD surprise
All summer long I’ve had the phrase “Do the Lambarena” running through my head, as if it were a dance craze, like the la-dee-dah or the lambada.
By JEFFREY GANTZ | August 23, 2006