Andy Vores

Latest Articles

Contertizing

From Don Giovanni’s hell to Haydn’s Creation
Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
By LLOYD SCHWARTZ | March 20, 2009

Puccini goes punk

Faced with diminishing mainstream opportunities, Boston's young opera singers are going small and making the repertoire their own
Perched on the lid of a lace-draped baby grand, a bobblehead quivers along with Christine Teeters's vibrato as she powers through a Tuesday-night voice lesson in the Steinway Piano Building on Boylston Street.
By SARA FAITH ALTERMAN | January 23, 2009

Lift every voice!

Classical goodies for 2009
Opera is the big word for 2009.
By LLOYD SCHWARTZ | December 30, 2008

Year in Classical: Celebrate!

Comings and goings
In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
By LLOYD SCHWARTZ | December 22, 2008

It’s about time . . .

The Ditson Festival of Contemporary Music starts in Boston
It’s been 17 years since Boston’s last local festival of contemporary music, the New Music Harvest organized by composer Charles Fussell: 19 programs (several free), a celebration of composer Ned Rorem, an opera production performed by BU students, and the participation of the Boston Symphony Orchestra.
By LLOYD SCHWARTZ | September 25, 2008

On (and off) track

Boston Lyric Opera’s Seraglio , BU’s Barbiere di Siviglia , Andy Vores’s No Exit , the BPO’s Bartók and Brahms
It’s an expensive, elegant set, a lovingly detailed theatrical reproduction of railway cars on the Orient Express, the famous train connecting Paris and Istanbul.
By LLOYD SCHWARTZ | April 29, 2008

Singers’ delight

Spring Arts Preview: Opera and vocal works lead the season
The season may be starting to wind down, but there remain some events music lovers have been waiting for all year.
By LLOYD SCHWARTZ | March 10, 2008

Dancing across the city

Between the opening of the new ICA and Bank of America's de-funding of Celebrity Series, will Boston be a city on the move or on the make in 2007?
The ICA’s Barbara Lee Family Foundation Theater, with its sprung wood dance floor and wrap-around windows framing the harbor, is positioned to become Boston dance’s most significant venue.
By DEBRA CASH | December 27, 2006