The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Best2012Vote-1000x50

A Dark Night with Mamet and a Mad Horse

Mini-Reviews
By MEGAN GRUMBLING  |  October 14, 2009

Circling the central mystery of The Cryptogram are a camping trip, the provenance of a German pilot's knife, and a young boy's "sleep issues." But the things themselves are less ominous than their harrowing verbal orbits amongst three increasingly distressed people in David Mamet's three-act drama, a sort of psychological micro-mystery. Chris Horton and Tess Van Horn direct a tight production for Mad Horse's fourth Dark Night Series, which runs Monday through Wednesday in the Portland Stage Company Studio Theater.

Everything happens in the 1959 living room of housewife Donnie (Bess Welden). Her talkative young son John (the virtuoso Dyan Chestnutt) can't sleep. He waits for his father to come home, packs for a trip to the woods, and engages Donnie and family friend Del (Peter Brown) in eerie ontological questions about reality, death, and the voices he hears when he goes to bed. Donnie and Del drink tea and talk at each other about the vagaries of memory. When it becomes clear that John's father will not be coming home, their homey triangulation cankers.

The Cryptogram is classic Mamet, with his signature stylized zoom-in on stutters and repetitions, how people talk around and at angles to each other. His dialogue is among the most difficult in the modern canon to pull off. But Horton and Van Horn direct a wondrously taut production of this verbal spiraling. Brown, Weldon, and Chestnutt have fleet, devastating timing, and their intonation varies evocatively over merciless repetitions of words both meaningless and fraught.

This is dark, deep, scary stuff, even as it is also utterly familiar. As the verbal minutiae of each character gradually reveal interior horrors, we see that their mystery's central puzzle may be shown, but far less easily solved.

The Cryptogram | by David Mamet | Directed by Chris Horton, Assistant-directed by Tess Van Horn | Produced by Mad Horse Theatre Company's Dark Night Series | in the Portland Stage Studio Theatre | through October 21, Mon-Wed @ 7:30 pm | $10 suggested donation |madhorse.com

Related: To Sir, with love, Big starts, Into new worlds, More more >
  Topics: This Just In , Entertainment, Culture and Lifestyle, Portland Stage Company Studio Theater,  More more >
| More

[ 02/15 ]   Freya + Letter to the Exiles  @ Port City Music Hall
[ 02/15 ]   Trouble is My Business  @ Portland Stage Company
ARTICLES BY MEGAN GRUMBLING
Share this entry with Delicious
  •   FEMALE POETS STEP UP TO THE MIC  |  February 08, 2012
    While down in Cambridge last August with a team of Portland poets for the semi-finals of the National Poetry Slam, Tricia Henley Pryce says, she never saw more than one woman up on stage at a time.
  •   MAD HORSE’S BECKY SHAW PEERS BEHIND THE LOVE CURTAIN  |  February 08, 2012
    Three months after her father's death, the two people closest to thirty-something Suzanna (Elizabeth Chambers) don't have a lot of patience for her grief, which has her reduced to a weeping mess watching bad TV under a blanket.
  •   GOOD THEATER WRESTLES WITH LOVE AND SIN  |  February 01, 2012
    There's only one major problem in the love between Adam (Rob Cameron), a sarcastic would-be teacher working in retail, and Luke (Joe Bearor), an aspiring young actor.
  •   PUBLIC THEATER TRIES TO SAVE DISAPPEARING COMMUNICATION  |  February 01, 2012
    George (James Hoban) has a knack for languages: He's a polyglot, can lovingly conjugate all tenses of even Esperanto, and has dedicated his life to preserving tongues on the brink of extinction.
  •   THESPIAN GAMES AT THE THEATER PROJECT  |  January 25, 2012
    Five people lie supine on the floor, feet outward, like a star.

 See all articles by: MEGAN GRUMBLING



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group