Do you find modern medicine disturbing, what with Big Pharma in bed with doctors and the FDA, children running around on drug cocktails, and therapists who charge $200 an hour to ask you about your mom? Well, let’s harken back a little. A mere century ago, a well-meaning doctor might instead order a troubled woman subdued, deprived of social or intellectual stimulation, and confined to a room. Indefinitely. To put it another way, she’d be locked up, abandoned in the walls of her own home and her own increasingly addled mind.
This was the cure prescribed in 1885 to the young writer Charlotte Perkins Gilman. Her classic fictionalized account of her isolation and descent into derangement, The Yellow Wallpaper, is a sharp and frightening critique of both the medicinal and the cultural attitudes of the nineteenth century. Part horror story, part psychological thriller, part radical feminist statement, this scary tale has been adapted for the stage as a one-woman show. It will be presented Saturday, June 17, at 7:30 pm in the Ludcke Auditorium on the University of New England’s Westbrook Campus in Portland. Part of a conference on Gilman at the Maine Women Writers Collection, the production features professional actress Michèle LaRue as the treated woman. Admission is free, with a suggested $5 donation. Call 207.221.4433.
Related:
Black humor, Loners, Social studies III, More
- Black humor
When the Comedy Studio in Harvard Square hosted the first “Women of Color in Comedy” festival in the Boston area seven years ago, a PC heckler shouted “Why don’t you do this more than once a year?”
- Loners
What do you give an audience after The Goat , Edward Albee’s 2002 Tony winner about a prize-winning architect sexually bewitched by an animal?
- Social studies III
Cherrie Moraga’s The Hungry Woman , subtitled A Mexican Medea, is an attempt to incorporate pre-Hispanic La Llorona (the Weeping Woman) mythology with a quasi-contemporary tale of the Greek tragic figure, seen through a feminist lesbian lens.
- Portland hosts a gaggle of literary ladies this week
Looks like supporting women artists now shouldn’t be too hard — this week.
- Cause for pause
The Ogunquit Playhouse’s final show of the season is a musical for the ages — for the ages, that is, of about 45 to 60.
- Last of the Tuba
In a 2006 performance in the Boboli Gardens in Florence, Italy, MaryPat Warming wore a costume with a third prosthetic breast, stood with the Madonna’s poise at the edge of a wall with the vista of Florence unfolding behind her, and endeavored to consume the contents of several wine bottles full of whole unpasteurized milk.
- Parody flunks out
Artist Barry Blitt’s brilliant illustration — which sought to satirize the naysayers who portray Obama as a flag-burning, unpatriotic Muslim and his wife as a black-power radical — cut to the core of today’s political paradox.
- Brain gloss
The merger of thought and glossy spreads of girls in streaming, DIY couture.
- ID Check: Chelsea Spear
Chelsea Spear grew up in Medford, back when it was strictly a working-class enclave known largely for “big hair, Spandex, and KISS-108,” so she understands the injuries of class.
- Dead white females
Can you remember the last time you curled up under the covers with Marcel Proust’s I n Search of Lost Time ?
- Auteur of Africa
What I admired most about Ousmane Sembene was his courageous, lifetime commitment to women’s rights.
- Less

Topics:
This Just In
, Entertainment, Special Interest Groups, Food and Drug Administration, More
, Entertainment, Special Interest Groups, Food and Drug Administration, Performing Arts, Women's Issues, Theater, University of New England, Charlotte Perkins Gilman, Less