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CD Reviews
Yacht | See Mystery Lights
DFA (2009)
By
MICHAEL BRODEUR
|
July 29, 2009
Yacht | See Mystery Lights
" alt="photo of 'Yacht | See Mystery Lights'">
3.5
Stars
One reason DFA is the label of records people want at their party is because the folks there have a sense of humor — be it James Murphy's prolonged deadpan hipster-papa martyrdom, the Juan Maclean's unconcealed boner for shitty piano pre-sets, or the smile-while-you-dance extravagance of Hercules and Love Affair. So though it wasn't a complete surprise to crack a few dumb grins listening to
See Mystery Lights —
the newest from the now-duo'd electro generalists YACHT — it
was
unexpected to bust out giggling at its ample Wang Chung–isms.
After what I had considered a steady output of comparatively austere glitch-mad IDM, YACHT have dropped their tight jeans to reveal a pair of polka-dot bloomers. (And this "YACHT of 2009 is the true form of YACHT," sayeth their MySpace.) "In our world we are millionaires," sings Claire L. Evans on "I'm in Love with a Ripper," a simmering minimalist fuck-you to the glam life, studded with woo!'s and crappy orchestra hits and some of the slickest R(obot)&B ever.
Without a smidgen of a doubt,
See Mystery Lights
has egghead-party-album-of-the-year potential. But its value is greater than that. The chuckles at work behind the boards of "It's Boring/You Can Live Anywhere" and "Summer Song" aren't nervous laughter — they're the easy laughs that come with skilled, willed abandon.
Related
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Make it new!
,
Steve Earle | Townes
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Review: Antony and the Johnsons' The Crying Light
Secretly Canadian (2009)
Make it new!
Not to make too big a deal out of this or anything, but holy shit this spring is huge. Think about it: it's the first spring following a long, drawn-out winter made longer and more drawn-out by a grueling two-year election that overturned eight even longer years of dreary uncertainty and near-constant suckage.
Steve Earle | Townes
In case it wasn't clear already, Steve Earle idolizes Townes Van Zandt, the Texas singer-songwriter who died in 1997 after decades of soul-shaking music and life-obliterating demons.
The Horrors | Primary Colours
The new Horrors long-player is a throwback of some kind, but to what?
The Intelligence | Fake Surfers
With more and more blasted lo-fi nerd bait polluting the record bins and stolen-music blogs these days, it's gotten increasingly difficult to sort out the real deal from the hangers-on.
Levon Helm | Electric Dirt
Helm's 2007 Dirt Farmer won the Best Traditional Folk Album Grammy for its acoustic arrangements of songs plucked from the Delta soil of the Band drummer and singer's rural Arkansas youth.
Street Sweeper Social Club | Street Sweeper Social Club
Rap-rock group Street Sweeper Social Club have been hyped as a supergroup.
Awol One + Factor | Owl Hours
Fake Four/Shape Shifters (2009)
The Thriller is gone
With the release of Bad (Epic), Michael Jackson ends a recording hiatus of nearly five years. He could have stayed away for 10 years and still not have escaped the shadow of Thriller , the biggest-selling album of all time.
Future of the Left | Travels With Myself and Another
There's a fine line between stupid and clever, as Spinal Tap once quipped, and don't these Future of the Left guys just know it.
Wale | Attention Deficit
It turns out there is merit behind the billion-dollar hype machine that’s been propelling Wale since he surfaced on the face of URB two years ago.
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ARTICLES BY MICHAEL BRODEUR
FOLK ACT
| June 26, 2010
Vikesh Kapoor
BOSTON PRIDE WEEK: OFF THE MAP
| June 07, 2010
We may seem a little cranky, but us local gayfolk just love a parade, and we’re actually heartened by this annual influx of brothers and sisters from every state of New England and every letter of our ever-expanding acronym.
THE NEW GAY BARS
| June 02, 2010
If I may channel the late, great Estelle Getty for a moment: picture it, Provincetown, 2009, a dashing young man with no discernible tan and an iffy T-Mobile signal languishes bored upon the sprawling patio of the Boatslip Resort.
ARIEL PINK’S HAUNTED GRAFFITI | BEFORE TODAY
| June 01, 2010
If the gradual polishing of Ariel Pink’s sound — and it’s not all that much more polished — puts his loyalists at odds with his albums, I count that as good news.
MORE THAN HUMAN
| May 26, 2010
It’s hard to talk about Janelle Monáe when your jaw’s fallen off.
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MICHAEL BRODEUR
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