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Beach Fossils | What A Pleasure
CD Reviews
Condo Fucks | Fuckbook
Matador (2009)
By
MIKAEL WOOD
|
March 23, 2009
Condo Fucks | Fuckbook
" alt="photo of 'Condo Fucks | Fuckbook'">
2.5
Stars
In the unlikely event that you haven't already discovered this on the Internet: the Condo Fucks are not the "legendary New London, CT trio" they're described as on Matador's Web site. They're the legendary Hoboken, NJ trio Yo La Tengo, and
Fuckbook
is their all-covers follow-up to 1990's
Fakebook
, on which the record-collecting indie-rockers paid tender tribute to influences like Daniel Johnston, NRBQ, and the Holy Modal Rounders.
Per its title,
Fuckbook
is much gnarlier than the earlier effort; the extra-fuzzy sound here is more or less what you'd get if you recorded a YLT show over your iPhone. The playlist includes tunes by such
Trouser Press
faves as the Small Faces ("Whatcha Gonna Do About It"), Richard Hell ("The Kid with the Replaceable Head"), and Slade ("Gudbuy T'Jane").
But beyond a scrappy/winsome take on the Beach Boys' "Shut Down," there's not much to distinguish one track from another. It's all shits-and-giggles, all the time.
Related
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,
Yo La Tengo | Popular Songs
,
Take it to the Bridge
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OK, Phillipe and Jorge are going to need a little help on this one.
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Holt is part explorer, part surveyor, part hippie/New Age dreamer. And this thorough survey of her art from 1966 to '80 shows her finding her way to becoming one of the pioneers of the "Land Art" or "Earthworks" movement.
Do over
I tried hard to be born earlier, but it didn't work. As a result, I've had to contend with an irritatingly positioned cultural blind spot (roughly 1976–1986) that currently occupies all that open space once filled with childhood memories.
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As silly as the title sounds, it’s an accurate reflection of the we’re-not-afraid-to-take-on-anything attitude that’s propelled Yo La through the past dozen years. Yo La Tengo, “Pass the Hatchet, I Think I’m Goodkind”
Review: Math the Band, Lima Research Society
Math the Band suck greasy elephant balls, I was told by a source.
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Given the theory of de-evolution these Ohio brainiacs began expounding more than 30 years ago, it makes a sad kind of sense that Devo's first album since 1990's Smooth Noodle Maps offers such a charmless, base-level version of the band's synth-addled new wave.
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