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CD Reviews
Morrissey | Years of Refusal
Lost Highway (2009)
By
ZETH LUNDY
|
February 9, 2009
YEARS OF REFUSAL
" alt="photo of 'YEARS OF REFUSAL'">
3.0
Stars
"Could this be an arm around my waist?" asks Morrissey on the final track of his ninth post-Smiths solo album, adding, "Surely the hand contains a knife." This fatalistic logic comes as no surprise, seeing as
Years of Refusal
has documented an emotional battlefield bereft of human contact, where kindness is AWOL, egotism is a means of survival, and death, the only absolute, makes for a constant companion.
In the soaring "I'm Throwing My Arms Around Paris," Moz declares that "only stone and steel accept my love." That's rough. It's also intentionally overblown, the scorned-boy pretense transforming disappointment into transcendent rock music. That transcendence is achieved with grandstanding familiarity throughout
Years of Refusal
.
Produced by the late Jerry Finn, the album is a slice of American rock radio, polished, compressed, and routinely combustible. The hooks are huge ("Mama Lay Softly on the Riverbed," wrapped in loss and mystery, and the flamenco-flavored "When I Last Spoke to Carol" are permanent fixtures in my skull), and so is Moz's pop-operatic voice, here a man-sized exhalation. I'm not giving anything away by noting that the singer ends up alone again by album's end — at least, alone as one can be while transferring the burden of solitude to the devoted masses.
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Unhappy birthday
It seems like only yesterday that I was huddled in the corner of my room, staring listlessly out the window through tear-smeared glasses, absently singing along to “Please, Please, Please Let Me Get What I Want” and wondering when my life would finally show my heart a modicum of mercy. . . . Oh wait. That was yesterday.
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Morrissey — begrudging patron saint of all that is emotionally desolate and otherwise comfortably bummed — is but a mere mortal, as his recent collapse on stage proves.
Slideshow: Morrissey at House of Blues
Morrissey live at House of Blues, March 29, 2009
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Spring fever
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Morrissey specializes in decadent enlargements of contrary emotions: he's got despair on lock, he's an excellent sculptor of ennui.
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ZETH LUNDY
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