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Battles | Gloss Drop
CD Reviews
Wilderness | (k)no(w)here
Jagjaguwar (2008)
By
DEVIN KING
|
October 28, 2008
WILDERNESS | (K)NO(W)HERE
" alt="photo of 'WILDERNESS | (K)NO(W)HERE'">
3.0
Stars
Written for a performance at this year’s Whitney Biennial, this obnoxiously titled release continues Wilderness’s exploration of icy post-punk that falls tonally between PiL and U2. Guitarist Colin McCann uses delay and echo to create repetitions similar to those of the Edge and Keith Levene; the slowly shifting harmonies from Brian Gossman’s calm bass gives those repetitions forward movement — something similar to the dub influence of Jah Wobble and the solid simplicity of Adam Clayton. Singer James Johnson, meanwhile, has a howl that combines the idiosyncratic style of John Lydon with the populist war cry of Bono: Johnson’s voice bays and every note seems to emanate from the back of his throat before tightening into focus. As for songs, the band lets them flow into one another to create a 40-minute piece. This could prove strenuous, but the album is more contemplative than didactic — a
(k)no(w)here
that’s difficult to study but easy to inhabit.
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ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
SOUNDCARRIERS | HARMONIUM
| May 27, 2009
The first album from this Nottingham-based band is California dippy: whispered female/male harmonies, slack flutes, swinging drums, comping Hammond organs, and a bass player who finds basic funk riffs in every progression.
THE MOVING PICTURES
| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
PAPERCUTS | YOU CAN HAVE WHAT YOU WANT
| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
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DEVIN KING
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