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Beach Fossils | What A Pleasure
CD Reviews
Ladyhawke | Ladyhawke
Modular (2008)
By
DANIEL BROCKMAN
|
October 15, 2008
LADYHAWKE | LADYHAWKE
" alt="photo of 'LADYHAWKE | LADYHAWKE'">
3.5
Stars
As the world as we know it slowly grinds to a halt, with uncertainty, doubt, and fear filling our periphery and entering our waking dreams, it’s comforting to count on the musical scavengers of the present to make music that, though still sounding new and exciting, also excites those little tympanic nerve endings in a familiar way. New Zealand multi-instrumentalist Pip Brown a/k/a Ladyhawke presents us with a treasure trove of found blips, as if the 1980s had been nothing but a gigantic mirror ball to smash and paste back together (e.g., the blatant appropriation of the melody of Fleetwood Mac’s Christine McVie–sung hit “Little Lies” in the chorus of “Love Don’t Live Here”). Stylistic consistency be damned: for every moment of Gary Numan–esque synth hum, there are cheesy Super Bowl halftime Van Hagar keyboard rah-rahs. Still, there are enough silky-yet-catchy melodies and bludgeoning power choruses that you won’t stop to wonder whether this is supposed to be ironic dance music or crossover rock/pop or hip indie whatever. Album highlight “Back of a Van” asks you to “set me on fire”; it’s a track that could have been abducted by Birthday Party–era Nick Cave and transformed into a scorched-earth drearfest without losing anything but the original’s walking-on-sunshine bounce.
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It's one thing to be a musician and get thrown out of Disneyland (Velvet Underground) or banned from a national landmark (Ozzy Osbourne at the Alamo), but you've hit rock paydirt when you become the target of an entire nation.
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Millionaires played the kind of set I wish I’d see more of: high-energy, hit-filled, and mercifully short.
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[
02/18
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