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EMA | Past Life Martyred Saints
CD Reviews
Santogold
Downtown
By
DANIEL BROCKMAN
|
May 13, 2008
SANTOGOLD
" alt="photo of 'SANTOGOLD'">
3.0
Stars
As the multiplying number of female major-label artists releasing bloop-bleep manifestos to wackiness attests, Björk’s stunt with the swan outfit was a defining cultural moment. In the wake of Swangate, it seems that female solo artists have two paths to choose from: releasing solid acoustic-based songy songs, or wearing warpaint and DayGlo and delivering vocals in as idiosyncratic a style as possible. It’s not really worth giving examples, because in the case of Santi White a/k/a Santogold’s debut album, identifying the specific reference points spoils all the fun. And anyway, the real reference point here is a bit more arcane: let’s see, an artist emerges out of nowhere with a major-label debut that is exceedingly polished, yet with a foot in a burgeoning underground scene, and with a stylistic diversity that makes every track a different exercise in genre mastery? That’s right, it’s like Lenny Kravitz’s debut all over again. The dubby patches at the two-thirds mark kill a lot of the momentum, but one would have to be pretty jaded to deny the club-banging ecstasy of “Creator,” the new-wave crunch of album opener “L.E.S. Artistes,” and/or the Ashlee-Simpson-covering-the-Police awesomeness of “You’ll Find a Way.”
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Risky business
I know I can’t be the only person whose ears perked up earlier this year on hearing the chorus of the then-new Ashlee Simpson single “Outta My Head (Ay Ya Ya).”
Mixed, nuts
If you thought Diplo peaked with Hollertronix or plateau’d with M.I.A. or repeated himself with Santogold, you really need to stop thinking and go dancing or something.
CMJ in one day
The Gray Lady of indie music fests ain’t what she used to be
2008 Listravaganza!
We are not at all sick of bands with animal names yet and seem to have a soft spot for Erykah Badu that we kept very hush about all year.
Loose Ends
It’s four in the morning and raining. I’m 27 today, feeling old, listening to my records, and remembering that things were different a decade ago.
Crescent City health report
“Is much better! The tourists is coming back !” That was our cab driver from Louis Armstrong Airport into New Orleans — a transplanted Haitian from Jefferson Parish.
Lorca without Lorca
Is it possible for a work of art to seem both completely sincere in its intentions and at the same time counterfeit and manipulative?
VHS or Beta
The wordless, minute-long opener “Euglama,” though — that’s worth digging.
June tunes
Mark Twain once observed that it’s “better to be a young June-bug than an old bird of paradise.”
About a girl
“Mary Lou Lord has been almost written out of the Kurt Cobain story,” writes True. “Yet I have a strong memory from around this time of meeting a besotted Kurt going on about how in love with her he was, and how he was going to move to Boston to be with her.”
The Decemberists
Is there a place outside the cozy confines of indiedom for a singer-songwriter as literate and prone to period pieces as Colin Meloy?
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[
06/03
]
Always, Patsy Cline
@ Ogunquit Playhouse
ARTICLES BY DANIEL BROCKMAN
THE CULT SURVIVES ROCK'S HIGHS AND LOWS
| May 31, 2012
There is a difference between an unknown musical artist and a superstar, and that difference isn't necessarily musical — it's mythological.
RAZORMAZE ADDS FOCUS TO THEIR THRASH
| May 15, 2012
For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
ZAMBRI | HOUSE OF BAASA
| May 15, 2012
For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE
| May 08, 2012
When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
[R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS
| May 08, 2012
ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
See all articles by:
DANIEL BROCKMAN
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