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Battles | Gloss Drop
CD Reviews
Common
Finding Forever | Geffen
By
NICK SYLVESTER
|
August 14, 2007
COMMON, FINDING FOREVER
" alt="photo of 'COMMON, FINDING FOREVER'">
2.0
Stars
Can you fault a Second City 35-year-old Gap-shilling rapper for wanting to make elevator hip-hop for Second City 35-year-old Gap-wearing yuppies? There is a place in this world (Pottery Barn maybe, or a future Eddie Murphy romantic comedy) for the R(ap)&B cocktail party that is
Finding Forever
. “A conscious nigga with mack like Steve Jobs,” Common is this party’s large-hearted host, passing around the demon weed, treating ladies like ladies and telling them so, forgiving hustlers and druggies ’cause they’ve just lost their way. With the exception of Game, no rapper gives more shout-outs. This is a rapper, moreover, who won’t call a man a homosexual unless he’s positive that man is a homosexual (“Your clothes are tight but you don’t seem gay/I said, naw, that’s dude from N-Sync-ay’ ”). Even when Com fumes (“With 12 monkeys on the stage it’s hard to see who’s a guerrilla/You was better as a drug dealer”), there’s always producer Kanye West’s velvet Velveeta soul to calm him down. These beats aren’t West’s typical high-energy dazzlers, but they’re comfy for sure, smoothed over with frequent Soulquarian guest spots. For close to eight minutes of the gospel piano march “Forever Begins,” Common and his pops observe the rising price of gas, the death of J Dilla, tsunamis, “Virginia Tech is not an ‘Oh what the heck,’ ” and various other events that lead them to conclude that things done changed. Yes: Common has become hip-hop’s Mitch Albom. Who wants a martini?
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,
Slingin' it
,
Ghostface Killah
,
More
U.N.I.T.Y.
This Wednesday, May 30, a hip-hop bill comes to the Paradise Lounge that boggles the mind.
Slingin' it
They at once cemented their status as hip-hop rhyme pushers.
Ghostface Killah
For the second time in 2006, Wu-Tang’s Ghostface has released an album that makes it seem everyone else in the hip-hop world should be paying more attention to Ghostface.
Tear the club up
"What Samir and I bring to the table is that we were both coming from a real street hip-hop sentiment," says LaCrate, "and that’s where club in its origin came from. As much as it may have been comprised of rave breaks, there was nothing rave – I always say there was nothing white-boy about it." Lily Allen, "Smile (Aaron LaCrate Gutter Remix)" (mp3)
Most Def
In a move that’s sure to be copied by other indie labels, the underground hip-hop imprint Definitive Jux recently created what it’s calling “The Pharmacy” or “DJRx,” an on-line store that mimics the amazon.com/iTunes model.
A call to action
The credits of Hip-Hop: Beyond Beats and Rhymes rolled, and I felt two ways.
Ol' Dirty's dirty side
Sometimes it takes an outsider to understand the inside.
Quitters, tinklers, tacklers, and whoppers
David Berman of Silver Jews intends to quit the music biz and concentrate on writing prose, says a post on the Drag City Web site.
Review: Dashah | Rap Burglar 2.5
Dashah is the sort of artist who inspires wack rappers to retire early.
32. Girl Talk
Thanks to over-hyped mash-up king Gregg [two G’s] Gillis, a/k/a Girl Talk, every pasty dweeb with a laptop thinks he can DJ. Thankfully, most of these Serato-abusing hipsters have enough sense not to follow Gillis’s other annoying antic: stripping down to his boxers in mid set.
Vinnie Paz | Season of the Assassin + Reef the Lost Cauze vs. Guns-N-Butter | Fight Music
We all needed a break from Jedi Mind Tricks — you, me, gay-rights activists, and even Stoupe and Vinnie Paz.
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ARTICLES BY NICK SYLVESTER
PUNK ROCK REDUX
| April 01, 2008
Try reimagining early punk as some physically intense and massively popular athletic contest.
ADOLESCENT FUNKS
| February 19, 2008
Bradford Cox reminds me of my man Polyphemus — not just the one Odysseus conned in the cave but the one posted up in the countryside and pining in song for the sea nymph Galatea.
POP IN A HARD PLACE
| December 16, 2008
The norms Black Dice resist are significant and strong and worth resisting.
BURIAL
| December 26, 2007
Dubstep has been given its Dizzee Rascal moment with the release of Burial’s Untrue , the elusive London producer’s second album.
BROOKLYN CALLING
| December 10, 2007
Below are new sounds from four very different Brooklyn acts.
See all articles by:
NICK SYLVESTER
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