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CD Reviews
Dizzee Rascal
Maths + English | XL
By
MATTHEW GASTEIER
|
June 12, 2007
DIZZEE RASCAL, MATHS + ENGLISH
" alt="photo of 'DIZZEE RASCAL, MATHS + ENGLISH'">
3.0
Stars
Five years after Dizzee Rascal’s stark, revolutionary
Boy in da Corner
, he and the grime genre he helped popularize are struggling through an awkward growing phase. That debut’s once-abrasive but always brilliant beats seem surprisingly accessible in today’s abstract and atmospheric hip-hop landscape.
Maths + English
is the British MC’s third album, and he’s trying to find his place in this brave new world grime helped create. Two pop-flirting collaborations — “Where’s Da G’s” with Houston’s Underground Kingz and “Temptation” with Arctic Monkeys lead singer Alex Turner — go over great for both Dizzee and his guests; Lily Allen, on the other hand, crashes and burns on “Wanna Be,” a nursery-rhyme-like silly dis track that’s both clichéd and grating. The more prevalent style on this disc looks back to earlier British electronic movements, like IDM, breakbeat, and especially 2-step’s crackling drum licks and soulful synth tones. “World Outside” could have been produced by Aphex Twin, whereas the horn-sporting “Flex” is an unapologetic dance track.
Boy in da Corner
may be the classic Dizzee will be forced to chase for the rest of his career, but
Maths + English
shows him still striving.
Related
:
Going on sale: April 14, 2006
,
Burial
,
On the racks: October 31, 2006
,
More
Going on sale: April 14, 2006
Arctic Monkeys, KT Tunstall, Lady Sovereign, and Streets
Burial
Dubstep has been given its Dizzee Rascal moment with the release of Burial’s Untrue , the elusive London producer’s second album.
On the racks: October 31, 2006
Plus Lady Sovereign, Isis, and Flavor Flav.
The Atlantic Divide
Bloc Party, the Arctic Monkeys, and even Dizzee Rascal often make it seem that British music is our music too.
The Big Hurt: Think of England
Although we like to think of ourselves as having an ironclad hegemony over the pop of the Western world, those plucky Brits like to rise from their misty bog and tweak our nipples with a pond-crossing chart smash once in a while.
Bangers + Mush
About five years ago, when grime came crashing through the gates, many thought that England had finally found a homegrown answer to American hip-hop.
History's mysteries
Melodrama is a particularly satisfying popular art form for a financial crisis, filled as it is with unambiguous types and tropes — rich ruthless villains, poor but warm-hearted heroes and heroines, music that spiritedly cues our hisses and cheers, and reversals of fortune that reward honest, ordinary people just like us.
OMG, they’re dancing!
When word came that G NOTORIOUS (a/k/a Geoff White) was putting out a promo-only grime mixtape, two questions came to mind. “Where’s G Notorious been?” And “Why grime?”
America Blows
The United States of America is a nation with a proud history.
Basstown tales
As Boston goes, the origin stories of superstar DJs are few and far between.
The Big Hurt: Beef in brief
Ultra-classy rapper Khia, best known for urging America’s ladies to pop their anatomies and America’s men to lick her “crack,” is fixing to put me out of a job.
Less
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,
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,
More
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Entertainment
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,
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,
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,
Dizzee Rascal
,
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,
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05/26
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Liquid Sky + Icepicks + Baxx Sisi's
@ Bayside Bowl
ARTICLES BY MATTHEW GASTEIER
UGK
| September 18, 2007
Underground Kingz is not quite an instant classic, but it would be hard to deny that UGK have reclaimed their throne.
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| August 20, 2007
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
SKILL RIDE
| July 17, 2007
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
THE HATE-LOVE-HATE CYCLE
| June 18, 2007
The field is already packed with newcomers and veterans alike, all aiming to knock down my standards of good taste and respectability . . .
DIZZEE RASCAL
| June 12, 2007
Boy in da Corner may be the classic Dizzee will be forced to chase for the rest of his career.
See all articles by:
MATTHEW GASTEIER
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