SPACE Gallery, November 20, 2006
By IAN PAIGE | November 29, 2006
 CITADEL |
Saturday night at SPACE Gallery was packed with Portland locals and holiday visitors to see a lineup comprised of entirely homegrown acts, including the already-lauded-in-this-column Cult Maze, so let’s focus on the other fresh faces of the evening.
Tempera opened the evening with a set of intricate sonic arrangements that leave room for a lot of human warmth in between the pedal pushing and knob twiddling. The audience reverently sat down as Nicholas Barker, Bobby Martin, and Corinna Marshall began spinning out guitar and vocal loops with gestures of birdsongs on recorders.
The band have a playful quality that might make you think of Animal Collective, but with a loving patience more akin to fellow Portlanders in Seekonk or to Yo La Tengo at their most instrumentally beautiful.
The only two available expressions to choose from for Citadel’s set seemed to be jaw-dropping to the floor or smiling ear-to-ear. Barry Burst, Ben Gatchell, and new drummer Ethan Boardman rocked their signature brand of psychedelia and soul so hard that it created a truly rare rock-show moment where audience and performers alike were swept away by the energy.
Citadel create an amalgam of golden-era garage rock and psych rock but with rhythmic changeups that recall Motown and early funk. Barry Burst’s voice is a powerful lovechild of Donovan, Mick Jagger, and Jack Bruce. The newer songs feature mature songwriting that bounces from part to part without ever falling prey to prog-rock noodling. Citadel are all about energy, and they never let you down.
If you missed the show, Tempera play again December 15 at SPACE and Citadel play Geno’s November 30. If you did see the show, you most likely already plan on catching them again.
Related:
Music seen: Turn Down Day, Marie Stella, Phantom Buffalo, Window shopping, Give it some gas, More
- Music seen: Turn Down Day, Marie Stella, Phantom Buffalo
Turn Down Day opened with a song that hovered almost entirely on the A chord, only breaking with it for a slight G on the bass to distinguish the verse from the chorus. It was a bold statement.
- Window shopping
A window is much more communal and inviting than a facade.
- Give it some gas
Their current group show is an aesthetically pleasing collection intended to raise questions concerning global politics and personal accountability.
- Three pieces + three places
The Maine College of Art Faculty Exhibition at the Institute of Contemporary Art is teeming with offerings from instructors from every department.
- Micah Blue Smaldone
Seeing Micah Blue Smaldone at the Soundpost on Sunday was like going to church.
- From sketch to finish
Visit the top floor of the Portland Museum of Art for a local contribution to the design discussion.
- Miss Fairchild
When I think Miss Fairchild, I think over-the-top graphics, attire, lingo, and sound.
- Brut portraiture
If the paintings of Thomas William Manning weren’t surrounded by controversy and making potent political fodder, there would be little reason to discuss them. Slideshow: Thomas William Manning's now-defunct exhibit at the University of Southern Maine
- The (other) British invasion
Five great bands from UK blues’ back pages
- On what ground?
The experience gap between Greg Parker and Noa Warren makes their joint show at the June Fitzpatrick Gallery at the Maine College of Art all the more exciting.
- Growing pains
Although no one piece in this spartan biennial is lacking in value, the collective effect is one destined to get lost in the Rolodex.
- Less

Topics:
Live Reviews
, Yo La Tengo, Animal Collective, Jack Bruce, More
, Yo La Tengo, Animal Collective, Jack Bruce, Corinna Marshall, Ethan Boardman, Less