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Will Harvey have his way with the Oscars again?

Beyond Help
Like Mitt Romney, the inevitable but unlovable Republican presidential nominee, The Artist looks like a sure bet for most of the top Oscars, which will be presented on February 26.
By: PETER KEOUGH  |  February 27, 2012

Ghost Rider 3D: Spirit of Vengeance

Review: Ghost Rider 3D: Spirit of Vengeance

Movie hell
The filmmakers deliver some gorgeous landscape shots of Asia Minor and leverage the 3D perspective to good effect, but the time between such moments of relief can seem like an eternity of movie hell.
By: Tom Meek  |  February 21, 2012

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Review: This Means War

Spy vs. Spy territory
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
By: BRETT MICHEL  |  February 16, 2012

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Review: Safe House

Daniel Espinosa's spy thriller
Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
By: PETER KEOUGH  |  February 15, 2012

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Review: The Vow

Notebook knock-off
Michael Sucsy's The Vow's tag line, "based on a true story," is the only sincere moment in a film that will bring you to tears — of boredom.
By: MONICA CASTILLO  |  February 15, 2012

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Review: Rampart

Oren Moverman's portrait of a rotten cop
The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
By: PETER KEOUGH  |  February 15, 2012



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Review: Journey 2: The Mysterious Island

Brad Peyton's sequel
I liked the tiny elephants and the Rock bouncing berries off his pecs, but Brad Peyton's sequel is as bad as the 2008 original.
By: PETER KEOUGH  |  February 07, 2012

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Fake It So Real considers the arts of storytelling and bodyslams

Men in tights
Almost any documentary about a niche hobby or creative outlet (think Every Little Step or Spellbound ) devotes some amount of screen time to the therapeutic value of such unlikely obsessions.
By: CHRISTOPHER GRAY  |  February 01, 2012

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Review: Chronicle

Superpowered teens
Poor Andrew (Dane DeHaan) has more problems than any movie teenager deserves.
By: PETER KEOUGH  |  February 02, 2012

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Review: The Woman in Black

James Watkins's old-fashioned ghost story
After 10 years battling supernatural creatures, you'd think Harry Potter would be better equipped to deal with the paranormal pests he faces in James Watkins's old-fashioned ghost story.
By: ALEXANDRA CAVALLO  |  February 02, 2012

Short take - One for the Money

Review: One for the Money

Julie Anne Robinson's insipid adaptation
TV director Julie Anne Robinson's insipid adaptation of this first volume in Janet Evanovich's Stephanie Plum series has more in common with Young Adult than with the average gumshoe yarn.
By: PETER KEOUGH  |  January 31, 2012



Big Miracle - review

Review: Big Miracle

Ken Kwapis's take on a true story from 1988
Taking a tip from the oil industry, Hollywood has started exploiting Alaska. Following in the tracks of The Grey is Ken Kwapis's take on a true story from 1988 about an effort to save gray whales trapped in the Arctic ice. Surprisingly, the film offers genuine complexity.
By: PETER KEOUGH  |  January 31, 2012

review: The Innkeepers

Review: The Innkeepers

Ti West's spook show
Ti West's spook show is atmospheric (thanks to the terrific hotel setting) and frequently funny; but the plot line is choppy, the dialogue often unnecessary, and the scares too sparse.
By: PEG ALOI  |  January 31, 2012

Red Tails - Short takes

Review: Red Tails

The struggles and triumphs of the Tuskegee Airmen
With a title that refers not to squirrels but to plane markings, Red Tails dramatizes the struggles and triumphs of African-American pioneers, the Tuskegee Airmen.
By: BETSY SHERMAN  |  January 24, 2012

Preview - Haywire

Review: Haywire

Soderbergh phones it in
Despite some thrilling combat choreography executed with flair by MMA champ Gina Carano, Steven Soderbergh clearly phoned it in here. The barely-there plot involves Mallory (Carano), a double-crossed Black Ops agent who goes rogue in an uninteresting search for revenge.
By: THOMAS PAGE MCBEE  |  January 24, 2012

Underworld - Awakening

Review: Underworld: Awakening

Brief but bloody
The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
By: TOM MEEK  |  January 24, 2012



Man on a Ledge - Review

Review: Man on a Ledge

Clever if absurd heist film
Pablo F. Fenjves might not be Sidney Lumet, but his clever if absurd heist film does acknowledge its debt to the late, politically inclined director's Dog Day Afternoon .
By: PETER KEOUGH  |  January 26, 2012

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The Oscars look back in languor in 2011

Golden oldies
This year, perhaps in hopes of diverting audiences with a different format, the Motion Picture Academy has again changed the number of Best Picture nominees.
By: PETER KEOUGH  |  January 18, 2012

Short take flowers of war

Review: The Flowers of War

Unimpressive outing from Zhang Yimou
In 1937 the invading Imperial Japanese Army killed and raped thousands of people in the Chinese city of Nanjing. The atrocity has recently inspired two Chinese films, including Lu Chuan's City of Life and Death and this unimpressive outing from Zhang Yimou.
By: PETER KEOUGH  |  January 17, 2012

Contraband 3

Review: Contraband

A high-quality composite of knock-offs
True to its name, this standard heist thriller is a composite of knock-offs, but when Sergio Leone's Once Upon a Time in America is among the sources ripped off, the quality is pretty high.
By: PETER KEOUGH  |  January 17, 2012

The Iron Lady short take

Review: The Iron Lady

Streep's not enough to save this one
Meryl Streep's two films with Phyllida Lloyd, Mamma Mia and this silly biopic, demonstrate that even when the world's greatest actress is at the peak of her powers — whether dramatic, comic, or musical — it's not enough.
By: PETER KEOUGH  |  January 10, 2012


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