The Phoenix Network:
 
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 

Review: Tokyo Sonata

An unexpectedly moving J-horror film
By BRETT MICHEL  |  May 6, 2009
3.0 3.0 Stars


VIDEO: The trailer for Tokyo Sonata

Spinning off from the same departure point as Laurent Cantet's 2001 film Time Out, J-horror maestro Kiyoshi Kurosawa (no relation to Akira) begins his timely, if atypical, tale with the downsizing of Japanese patriarch Ryuhei Sasaki (Teruyuki Kagawa) from his administrative post. Ryuhei can't accept unemployment, and he never tells his family.

Donning suit and tie every morning, he sets off for "the office" — which in reality is a succession of lines: an unemployment line, a line at a soup kitchen. But unlike Cantet's picture, this story belongs to an entire family, and Ryuhei's not alone with his secrets.

Eldest son Takashi (Yu Koyanagi) wants to enlist in the US military; sibling Kenji (the talented Kai Inowaki) spends his school lunch money on piano lessons; their mother, Megumi (Kyôko Koizumi), is quietly and all-too-willingly taken hostage in a mood-shifting third act that signals yes, this is a J-horror Kurosawa film, an unexpectedly moving one.

Related: Review: Drag Me To Hell, Review: Chéri, Review: Brothers, More more >
  Topics: Reviews , U.S. Armed Forces, Movie Reviews, Kiyoshi Kurosawa,  More more >
| More

[ 06/02 ]   Always, Patsy Cline  @ Ogunquit Playhouse
ARTICLES BY BRETT MICHEL
Share this entry with Delicious
  •   REVIEW: FOR GREATER GLORY  |  May 29, 2012
    Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
  •   REVIEW: GIRL IN PROGRESS  |  May 15, 2012
    As rites of passage go, Girl in Progress is a step backward for the genre.
  •   REVIEW: FIRST POSITION  |  May 10, 2012
    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
  •   REVIEW: THE BEST EXOTIC MARIGOLD HOTEL  |  May 03, 2012
    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
  •   REVIEW: BLUE LIKE JAZZ  |  April 12, 2012
    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.

 See all articles by: BRETT MICHEL



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group