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Review: Yellowbrickroad
Reviews
Tsotsi
Best Foreign Film Oscar winner brings great soundtrack, little else
By
PETER KEOUGH
|
March 8, 2006
TSOTSI
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Adapted from Athol Fugard’s lone, nearly forgotten novel, Gavin Hood’s Oscar winner for Best Foreign Film updates the playwright’s earnest allegory of redemption from the black-and-white moral climate of its original 1960 setting to the ambiguity of the post-apartheid present. Lacking Fugard’s creative imagination, however, he transforms the flawed but impassioned original into a slipshod generic trifle. Tsotsi (scowling, baby-faced Presley Chweneyagae), whose name means “thug,” leads a Johannesburg gang that preys on the weak without remorse or reflection. Then he comes into possession of a baby — abandoned by a prostitute in the novel, but here unwittingly kidnapped when Tsotsi carjacks a wealthy black couple. The interior existential odyssey of Fugard’s hero gives way to a rote-like police manhunt with vague social implications, trite sentimentality, and a pat resolution. The contemporary setting, however, does allow Hood to include rousing South African kwaito music for one of the year’s best soundtracks.
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Watch the trailer for
Tsotsi
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