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Review: Big Mommas: Like Father, Like Son
Reviews
College Road Trip
Another Martin Lawrence shtick
By
TOM MEEK
|
March 12, 2008
COLLEGE ROAD TRIP
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College Road Trip
Every time I go to see a Martin Lawrence movie, I keep thinking, when are they going to finally pull the plug? His shtick hasn’t changed since his ’90s TV show. And yet, after each dreadful entry, I exit relieved that my abysmal expectations have not been met. Same here. Lawrence’s James Porter is a controlling father and Illinois police chief who has his baton so far up his ass he won’t let his daughter (Raven-Symoné) go to the school of her choice (Georgetown) because it’s too wild and too far from home. Some wait-list magic happens, James relents, and father and daughter hit almost every cliché en route to DC. Director Roger Kumble shows surprising confidence with the claptrap premise, but it’s Raven-Symoné’s funkadelic karaoke bit on an Asian tour bus, a cute pig, and Donny Osmond as a nut-job dad that make this trip bearable.
83 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + suburbs
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Big Momma’s House 2
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Review: Death at a Funeral
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Carnival of the absurd
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Big Momma’s House 2
Martin Lawrence again dons foam and latex to incarnate a rotund, none-too feminine granny in John Whitesell’s sequel to the broad 2000 comedy.
Review: Death at a Funeral
Once the enfant terrible of misogynistic movies (see 1997’s In the Company of Men ), Neil LaBute has moved on to remakes. His take on a 1973 horror classic ( The Wicker Man ) is either classically horrible or classically brilliant.
Carnival of the absurd
“War-time full-frontal drugs, sex-tank armor plate!” Exactly.
First Sunday
You’ve got to be a serious screw-up or devastated by desperation to rob a church.
Never poor in spirit
The prospect of New England gospel-soul singer Mighty Sam McClain recording a duet with Jon Bon Jovi or performing onstage with Natalie Merchant seems improbable.
Man of the People
Given the scope of Stevie Wonder’s accomplishments in the ’60s and ’70s, you’d expect him to be writing symphonies by now.
Finding dignity
Of her fans — bespectacled little girls with glow sticks at Bank of America Pavilion — Duff exclaims, “It’s very, like, empowering!”
Off camera, on stage
“Brian, dump that bitch!” sang Minnie Driver.
An old poet
Sometime after the lights went out, Willie Nelson walked on stage.
The Ex
The premise here is flawed.
Going on sale: May 11, 2007
White Stripes, Kelly Clarkson, Lightning Bolt, and more.
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ARTICLES BY TOM MEEK
REVIEW: UNDERWORLD: AWAKENING
| January 24, 2012
The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
REVIEW: JOYFUL NOISE
| January 10, 2012
There's not much joy but there's plenty of noise of the rafter-rocking gospel singing variety in Tony Graff's musical dramedy.
REVIEW: IN THE LAND OF BLOOD AND HONEY
| January 05, 2012
Jolie has loosely reworked the story of Romeo and Juliet in an infamous setting familiar from CNN but here seen from the inside.
REVIEW: ALVIN AND THE CHIPMUNKS: CHIPWRECKED
| December 13, 2011
For 50 years, Alvin and the Chipmunks have been driving parents nuts with their helium-infused banter and shrill bastardizations of pop music.
REVIEW: TRESPASS
| October 13, 2011
If Rod Lurie's errant remake of Straw Dogs didn't tickle your morbid fear of home invasion, then perhaps the latest from Joel Schumacher ( Falling Down ) might do the job.
See all articles by:
TOM MEEK
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