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Review: Big Mommas: Like Father, Like Son
Reviews
Youth Without Youth
Reaching for the stars
By
PETER KEOUGH
|
December 19, 2007
YOUTH WITHOUT YOUTH
2.5
Stars
VIDEO: Watch the trailer for
Youth Without Youth
.
When a film starts out with a Romanian professor (Tim Roth) who’s been granted eternal youth, superhuman intelligence, and a doppelgänger by a lightning strike and is writing a book summarizing all knowledge while avoiding capture by the Nazis, perhaps it should avoid adding a woman (Alexandra Maria Lara) who’s the reincarnation of a seventh-century Buddhist shaman as a love interest. But try telling Francis Coppola that, especially since he hasn’t uncorked a lulu like this one since
From the Heart
. Adapting the novella by Mircea Eliade, the American auteur must have identified with the film’s elderly hero, Dominic, who has seen his ambitions come to naught and decides to do himself in before the providential bolt from the blue intervenes. It’s only 1938, and by the time we get to
Apollo 11
, Coppola has exhausted his narrative invention and some viewers’ patience. But I admire a guy who keeps reaching for the stars, even when he lands on his ass.
125 minutes | Boston Common + Fenway + Kendall Square + Circle/Chestnut Hill + suburbs
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Francis Ford Coppola made one perfect picture, The Conversation , in 1974.
Hulk sulk
After two hugely budgeted adaptations in five years, my biggest question about the Hulk remains: what’s with the pants?
Quantum mechanic
Little Solace for Bond fans
Review: Inglourious Basterds
From the beginning, Tarantino's obsessive self-referentiality and movie allusions never let you forget that you're watching a film.
Road rules
Dogme is out, done for, as are Lars von Trier’s sly strictures on making Dogme films: only natural lighting, the actors must wear their real clothes, etc.
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The Iraq War movies are starting to resemble the war itself: miscalculated, mishandled, unpopular, and with no end in sight. Scialfa
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Gordon Willis, the master cinematographer to whom the Harvard Film Archive pays tribute in a seven-film retrospective beginning this Friday,
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[
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"48 Hour Music Festival 4"
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02/18
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Inspectah Deck + Colt Seavers
@ Port City Music Hall
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Jeff Beam + Tanner Smith + John Nels
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ARTICLES BY PETER KEOUGH
REVIEW: CORIOLANUS
| February 16, 2012
In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
REVIEW: SAFE HOUSE
| February 15, 2012
Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
REVIEW: THE SECRET WORLD OF ARRIETTY
| February 15, 2012
The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
REVIEW: RAMPART
| February 15, 2012
The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY
| February 10, 2012
The films in this program contain some of the most powerful images to be seen on the screen this year.
See all articles by:
PETER KEOUGH
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